Keyword [Baroque]
Result: 181 - 200 | Page: 10 of 10 |
| 181. | A realization and application of appropriate French Baroque ornamentation for the first four preludes of 'L'Art de Toucher le Clavecin' by Francois Couperin |
| 182. | Serio ludere: Baroque invenzione and the development of the capriccio |
| 183. | Shakespeare between Plato and Leibniz: The philosophy of individuation and baroque drama |
| 184. | Master carpenters in Renaissance and Baroque Rome: The collaboration of artists, architects and artisans on monumental commissions in the Cinquecento and Seicento |
| 185. | A performance project for saxophone orchestra consisting of five performance editions from the Renaissance, Baroque, Classical, Romantic, and Modern eras |
| 186. | Elements of style in French Baroque guitar music: A survey of the printed sources 1663--1705, with transcriptions and analyses of selected works |
| 187. | Secularization, National Identity, and the Baroque: Italian Music in England, 1660-1711 |
| 188. | A performer's guide to keyboard notation from the Middle Ages to the beginning of the baroque |
| 189. | From Baroque allegory to romantic sublime: Writing, images, and subjectivity in Tesauro, Vico, Novalis |
| 190. | A reconsideration of the performance of the chorales in J.S. Bach's 'Passio Secundum Johannem', BWV 245 and the influence of harmonic language and Baroque Affekt on modern performance practices |
| 191. | The Baroque Requiem Mass at the Imperial Habsburg Court in Vienna: Musical and historical context, rhetoric, and signification |
| 192. | Encounter of modernities: Poetics, Baroque, and intertextuality in Jose Lezama Lima and Stephane Mallarme |
| 193. | Tears, humor and 'the critical and clinical': Reading the baroque and sympathy in 'Clarissa', 'Tristram Shandy' and Deleuze |
| 194. | Preparing choral voices for historically guided vocalism in the Renaissance, Baroque, Classical, Romantic, and Contemporary styles |
| 195. | Expressive polarity: The aesthetics of tempete and sommeil in the French baroque cantata |
| 196. | The Royal Hungarian Army's modernization efforts (1932--1936): The consequence of schism and paralysis in Neo-Baroque Hungar |
| 197. | Representations of Saint Cecilia in Italian Renaissance and Baroque painting and sculpture |
| 198. | Le roman comme lieu de rehabilitation et d'idealisation: 'Beaute baroque', de Claude Gauvreau |
| 199. | A performance guide to J. S. Bach's Suite No. 5 for violoncello solo: The interpretation of the ornaments, rhythm, bowing and phrasing, and polyphonic texture |
| 200. | Miguel Mateo Dallo y Lana, Mexican Baroque composer: A forgotten treasure of Puebla |
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