Keyword [Camera]
Result: 141 - 160 | Page: 8 of 9 |
| 141. | Research On Camera Characteristics Under The Expression Of Photographic Language |
| 142. | On The Relationship Between Western Painting And Photography |
| 143. | Research On Tracking Technology In Film Post-production |
| 144. | Seeing red: Discourse, metaphor, and the implementation of red light cameras in Texas |
| 145. | Collecting agency: Reversing the camera's gaze in early twentieth-century Lowell, Massachusetts |
| 146. | The canvas and the camera in Weimar Germany: A New Objectivity in painting and photography of the 1920s |
| 147. | The camera is mightier than the pen: Resistance, revolution, and revision in the film adaptations of Alice Walker's 'The Color Purple', Zora Neale Hurston's 'Their Eyes Were Watching God', and Toni Morrison's 'Beloved' |
| 148. | Lights, camera, art: John Baldessari, Ed Ruscha and Hollywood film |
| 149. | Gerald Finzi's 'Requiem da Camera' (op. 3b, 1924), with particular emphasis on editorial problems in its third movement |
| 150. | Technologies of representation and American naturalism: The limits of photography and early film in Norris and Dreiser |
| 151. | The enchanted camera: Modernist skepticism and visual redemption in classical film theory |
| 152. | A tango with the camera: Sally Potter in the director's seat and on stage |
| 153. | A search for small comets in consecutive images acquired with a ground-based telescope |
| 154. | Woman with a movie camera: The dearth of women filmmakers in contemporary Hollywoo |
| 155. | 'I Thought I Was Going to Die. All I Could Do Was Turn on My Camera and Pray': Trauma and Communication Surrounding Police Brutality in the Black Communit |
| 156. | Old World, New Media: Cross-cultural Explorations with Camera and Analytic Text in Cusco, Peru |
| 157. | Jacques Ibert?Concertino Da Camera?the Saxophone Analysis Of Modern Technique |
| 158. | On The Creation Of Dance Under The Camera |
| 159. | A Study On The Use Of Fixed Camera In The Animated Short Film "the Letter" |
| 160. | On The Camera Language Of Intangible Cultural Heritage Documentaries
——Take Graduation Work "One Leaf Starts The Clear Autumn" As An Example |
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