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Keyword [Coleridge]
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21. A Study Of S. T. Coleridge’s Nightingale From The Perspective Of Eco-criticism
22. The Transcendental Imagination Space In "the Rime Of The Ancient Mariner" Of Coleridge
23. Opposition And Unity: "the Philosopy Of Life" In Coleridge’s Critical Writings
24. A Study Of The Romantic Orient In Kubla Khan
25. Research On The Theme Of Coleridge’s Supernatural Poem The Rime Of The Ancient Mariner
26. Mania And Revelation
27. An Exploration Of Coleridge’s German Transcendental Thoughts In His Poems
28. An Analysis Of The Relationship Between Earthly World And Spiritual World In The Ancient Mainer From The Perspective Of Coleridge’s Principle Of Imagination
29. Fact, verses, science: Objective poetry and scientific speculation in Johann Wolfgang von Goethe, Samuel Taylor Coleridge, and Charles Darwin
30. The visionary pedant: S. T. Coleridge, Abraham Rees, and the encyclopaedia in the Romantic period
31. The role of animals in the poetry of Anna Barbauld, Robert Burns, William Wordsworth, and Samuel Taylor Coleridge
32. The islanders: Mapping paracosms in the early writing of Hartley Coleridge, Thomas Malkin, Thomas De Quincey, and the Brontes
33. 'Lovely shapes and sounds intelligible': Kristevan semiotic and Coleridge's language of the unconscious
34. Anatomy, vitality, and the Romantic Body: Blake, Coleridge, and the Hunter Circle, 1750-1840
35. Samuel Taylor Coleridge and John Bunyan's 'Pilgrim's Progress': Symbol and allegory as literary representations of redemption
36. Coleridge, Priestley, and the culture of Unitarian Dissent (Samuel Taylor Coleridge, Joseph Priestley)
37. Toward an Organic Homiletic: Samuel T. Coleridge, Henry G. Davis, and the New Homiletic
38. The poetics of conscience: Animal advocacy in British Romanticism (William Cowper, Mary Wollstonecraft, Samuel Taylor Coleridge, John Clare)
39. In search of justice: Blake, Coleridge and the romantic conflict between legal and literary discourse (Samuel Taylor Coleridge, William Blake)
40. Recovering Romantic Theory: The unsayable and illegible in Coleridge and Shelley
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