Keyword [Ford Madox Ford]
Result: 1 - 13 | Page: 1 of 1 |
| 1. | Narrative Art In Ford Madox Ford's The Good Soldier |
| 2. | The Theme Of Nostalgia In Some Do Not |
| 3. | An Analysis On The Construciton Of Implied Author Behind The Unreliable Narration In The Good Soldier |
| 4. | On The Desire Theme In Ford’s The Good Soldier |
| 5. | Concern For The Destiny Of British Empire |
| 6. | Some Do Not… And The Changing Tradition Of English Gentlemen In The 20th Century |
| 7. | Pursuit Of Trueness Through Literary Impressionism:A Study Of Ford Madox Ford's The Good Soldier |
| 8. | Impressionist Fiction and Detective Fiction: Literary Foils in Ford Madox Ford's Oeuvr |
| 9. | Sustained collision: Modernist fictions as forms of attention (Virginia Woolf, Ford Madox Ford, Joseph Conrad, James Joyce, Ireland) |
| 10. | 'How shall we write history?': The modernist historiography of Joseph Conrad, Ford Madox Ford and Rebecca West |
| 11. | The remains of the Victorian gentleman in James, Conrad, and Wharton (Henry James, Joseph Conrad, Edith Wharton, Ford Madox Ford, Edgar Rice Burroughs) |
| 12. | Writing at a loss: Nation and nuclearism in the twentieth-century English novel (Ford Madox Ford, Julian Barnes, Graham Swift, Raymond Briggs, Doris Lessing, Zimbabwe) |
| 13. | Ford Madox Ford and the 'nouveau roman': From the unreliable narrator to the self-conscious creator |
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