Keyword [Friel]
Result: 1 - 20 | Page: 1 of 2 |
| 1. | "Mapping" The Third Space In Brian Friel’s Ireland |
| 2. | Analysis On The Reasons Why Tom Murphy’s Being Devalued In Irish Drama |
| 3. | From Page To Stage: On Brian Friel’s Narrative Strategies In The Drama |
| 4. | On The Hybridized Situation In Brian Friel’s Translations |
| 5. | A Report On The English-Chinese Translation Of Ireland Drama Translations |
| 6. | Contemporary Construction Of Personal Memory And Social History In Dancing At Lughnasa |
| 7. | The Change Of Irishness:from Shaw’s John Bull’s Other Island To Friel’s Translations |
| 8. | Presenting Bloody Sunday Through Metatheatre |
| 9. | Postcolonial performances in Brian Friel's plays |
| 10. | 'Celtic subtleties': Brian Friel's appropriation of the O'Donnell clan |
| 11. | Rupturing the stage: Performing women in Brian Friel's theatre |
| 12. | Philadelphia, Here He Came.: Brian Friel and America |
| 13. | Adapting Place, Embracing Hybridity: Brian Friel's and Frank McGuinness's Dramatic Adaptations of Anton Chekhov and Henrik Ibsen |
| 14. | Female agency and the breaking of essentialist paradigms in selected works by James Joyce, Brian Friel, Toni Cade Bambara, and Alice Walker (Ireland) |
| 15. | An analysis of the play 'Translations' by Brian Friel |
| 16. | The role of the storyteller in post-colonial literature (Gabriel Garcia Marquez, Colombia, Mario Vargas Llosa, Peru, John Banville, Ireland, Brian Friel, Northern Ireland) |
| 17. | Crippled transcendence: Brian Friel's use of Stanislavski and Brecht |
| 18. | 'The disquiet between two aesthetics': Brian Friel's plays and the Field Day Theatre Company |
| 19. | Renovating the kitchen: Irishness, nationalism, and form in the theatre of John B. Keane, Tom Murphy, Hugh Leonard, Brian Friel, and Thomas Kilroy |
| 20. | Drama North and South: The Irish plays of Brian Friel and Tom Murphy |
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