Font Size:
a
A
A
Keyword [New York Trilogy]
Result: 1 - 20 | Page: 1 of 2
1.
The Anti-Detective Narrative In Paul Auster's New York Trilogy
2.
On Indeterminacy In Paul Auster's The New York Trilogy
3.
A Study On The Postmodernity Of The The New York Trilogy
4.
An Analysis Of Alienation In The New York Trilogy
5.
On The Subversion Of The Traditional Genre Of Detective Novels In The New York Trilogy
6.
Subjectivity-construciton And Self-transformation
7.
"Doppelganger" Motif In Paul Auster’s The New York Trilogy
8.
Quest For And Loss Of Identity:the Infinite Loop In The New York Trilogy
9.
The Urban Writing In The New York Trilogy
10.
On The Colors In Paul Auster’s The New York Trilogy
11.
"Rear Window" Narrative And Voyeurism In The New York Trilogy
12.
On Indeterminacy Characteristics In New York Trilogy
13.
Anti-detective Fiction And Postmodern Narration:Understanding The New York Trilogy’s Allegorical Writing
14.
A Conceptual Spacial Interpretation Of Jewishness Of The New York Trilogy
15.
On The Spatial Writing Of Paul Auster’s New York Trilogy
16.
Phenomenal fictions: The dynamics of connection in two contemporary American multi-textual constructs, Paul Auster's 'The New York Trilogy' and Toni Morrison's 'Beloved', 'Jazz', and 'Paradise'
17.
Fighting fathers/saving sons: The struggle for life and art in Paul Auster's 'New York Trilogy'
18.
Developing a method of literary psychogeography in postmodern fictions of detection: Paul Auster's 'The New York Trilogy' and Martin Amis's 'London Fields'
19.
Identity wars: Postmodern versus modern in Paul Auster's 'The New York Trilogy'
20.
Quickened mirrors: The function of the Doppelgaenger in Paul Auster's New York trilogy
<<First
<Prev
Next>
Last>>
Jump to
