Keyword [whiteness] Result: 21 - 40 | Page: 2 of 4 |
21. | American Whiteness and literary form in the aftermath of 1960s ethnic nationalism: Paul Auster, Russell Banks, Raymond Carver, and Jane Lazarre |
22. | Marrying in and out of whiteness: Twentieth-century intermarriage narratives |
23. | Seeing white in Black: Examining racial identity among African American adolescents in a culturally centered book club |
24. | Behind the smile: Negotiating and transforming the tourism -imposed identity of Bahamian women |
25. | 'In hot blood': White-on-white lynching and the privileges of race in the American South, 1889--1910 |
26. | Rhetorics of whiteness: Race, class and the development of early American modernism |
27. | Wishin' and Hopin': Femininity, Whiteness, and Voice in 1960s British pop |
28. | 'Compromises that we make:' Biculturalism, equity, and whiteness in the dual language context |
29. | Crisis in whiteness: White workingmen's narratives and the American dream |
30. | Merry throngs and street gangs: The fabrication of whiteness and the worthy citizen in early vocal instruction and music appreciation, 1830--1930 |
31. | Friends, teachers, witnesses, healers: Whiteness and cross-race friendship |
32. | Experiences in whiteness: Entering the academic discourse community |
33. | 'Gentle doses of racism': Whiteness and children's literature |
34. | Race-ing for cybercultures: The performance of minoritarian cultural work as challenge to presumptive whiteness on the Internet |
35. | Spectacular Struggles: Utopian Whiteness, Black Resistance, and the National Imaginary in Nineteenth-Century America |
36. | Evidentiary whiteness: The re/production and re/formation of white praxis |
37. | Whiteness in racial dialogue: A discourse analysis |
38. | The fragile 'bonds of whiteness': Relationships between native white Southerners and foreigners in Porter, McCullers, and O'Connor |
39. | Black whiteness, white blackness and the making of global African identities |
40. | Border crossings and multicultural whiteness: Nationalism in the global production and United States reception of vampire films |
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