| The French painter Georges Rouault is the one who has been blotted out by the general narration of art history. As a devout catholic,Rouault, is also a humanist with the intense compassion for the underprivileged in the world. His traditional style has gradually changed from 1903, as well as the content of narration has diverted from the literature to daily life of Paris. The article will focus on his art of narration of his mature period of 1903 to 1919. Additionally, the graphic works of the 1920s which contain powerful iconographic images will also be examined in detail. The recurring outstanding social types will be the subjects of discussion and analysis. Furthermore, the universality on the art of Rouault will be induced by the restoration of a multi-dimensional artist with the perspectives of sociology, history, literature and monograph, after breaking the structure of general narration through the analysis of the emergence and development of his iconographic with the textes and pictures of the people around him. |
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