The Research Of Images Of Women In The Dunhuang Frescoes Of Tang Dynasty

Dunhuang as the perfect survival of the art of the most reliable and saved a lot of the Tang Dynasty Art. The Dunhuang murals, Bodhisattvas, Flying Apsaras and YueWuji(Singer and dangcer), are to be feminine. From this study and design, make-up,clothes, Bodhisattvas, Flying Apsaras and YueWuji(Singer and dangcer), Provider feminine analysis study will commence. Through the Tang Dynasty Art of painting, the Tang Dynasty tomb murals are seeing their style features, and style of the Dunhuang murals image of women in similar. The research aims to restore the true Tang Dynasty female.The part of thesis just choice meaning and research method research objects to define study and the status quo expand research.The first chapter on the grottoes of Dunhuang art style of the many factors influencing. The main factors have Xiyu and foreign style, the central plains, the elements for Dunhuang indigenous. Strat from Sui Dynasty, in the Dunhuang murals of Bhodisattva,Flying Apsaras,YueWuji(Singer and dangcer),Provider feminine level is increasingly obvious. This section to Sui Dynasty dunhuang murals in the feminine characteristics of modeling and style in research and analysis. Sui Dynasty Dunhuang art created by the achievements of the inheritance by Tang Dynasty.The second chapter to chapter 5 of each of the Dunhuang murals, dress ornaments, pendants cast in women, her make-up, research and analysis. In the form of the Dunhuang murals female image in shape, clothes, make-up in the classification of study style features, mainly from the style and images in this sense, etc. From the design, the Dunhuang murals women for sex strong cast, Proportion moderate, " S " the shape of the dynamic beauty. The images of Bhodisattva, Flying Apsaras, YueWuji(Singer and dangcer),Provider gradually feminize. From clothes on, the Dunhuang murals women dress in the Chinese and Western cultures blend.On the one hand, Inherited and developed on the traditional costume.On the other hand, by India and Xiyu area of the buddhist art.The costume of the stream goes back to Persia and India. The combination of Tang Dynasty feminine clothes into the new vitality. The aesthetic characteristics has deep cultural historical value. From make-up, in the Dunhuang murals women make-up of the Tang people's ideals and emotions, most important features of the Chinese,secular, feminine characteristics; and the style of the integrated multicultural societies. From on the color, the Dunhuang murals in the art of keeping on the basis of traditional line drawing art, creativity and blending colours to the west, making it art colored drawing a striking feature in the application and fully embodies masstone, line color and transportation, foiling your ideal effect. The sixth chapter of the Tang dynasty painting art that remains of ancient Chinese ladies, etymologies the female image in the Dunhuang murals, and the image of women in a comparative analysis. The seventh chapter of a female cast an analysis of causes, the main reason is that the Indian Buddhism is the art of the impact, the aesthetic thought of the ruling classes affect, the Tang dynasty and open climate.This image and a number of the historical research about the aesthetic causes formation of women cast a new quest.Dunhuang the superior location, so he can continue to accept the Chinese and Western culture, and maintain their own unique cultural outlook. In the national, it is a rich and diverse forms and had a style of art treasures. The Tang Dynasty is the most glorious ancient social, cultural, fully reflected in the traditional cultural tradition and develop, but also in the external field of culture, learn foreign cultures, multi-cultural each promoting the culture to flourish, it is in this spirit of cultures and different cultures the art school, had the full development. The Tang Dunhuang murals, and in full glorious female, fully demonstrated the age of the cultural spirit.