| The art industrialization and the vigorous development of the art industry, as a revolution in human ideological creation history, impressed deeply to many governments, scholars in culture domain and economists. The transfer of the art creation to an industry, that is to be a kind of industry is a leap in human history for it is a token to human being that human being is going to get over the restrict of the nature. From now on, human being will be in a self-development promoted by human being's wisdom, feelings and original production. The end of the dissertation is to discuss how the art creation can correspond with the economy development. This dissertation emphasizes on the sixty-four-dollar questions in the development of the art industry. The basal study is not only a guarantee in constructing a systemic art industry theory, but also a direct guidance to the exploitation and the application. The dissertation is compose of six parts:The preface just is a background for the dissertation. This chapter studies on the conceptions: "industrialization", "art industrialization", "art industry", etc. The conception of "industrialization" in this paper has some specific connotations, that is it's transition characteristic, it's relativity, and it's main ideas in present.The first chapter will study on the feasibility of the art industrialization or it's limit with the guidance of Marxism's general production theory, especially the art creation theory The study will followed the general description of the history of the art industrialization in the west with a view to give a theoretic refer for the development of Chinese art industrialization and increase the vigor of Marxism's art creation theory. The chapter's viewpoint is that, the relation between the aesthetical-value, the ideological-value and the capital-value is dialectical, or in a word, the culture capital and the economic capital can get a finite balance between each other.Because the question of the art industrialization is complicated and it's base is the market, so the second chapter will study on the practical form of the art and its value in the market followed the retroactive discussion of the history ofthe art marketing. Besides, this chapter also discussed the positive influence of the art marketing on the art industry.The first chapter is the study of the organization and development history of the art industry. This is the most important question in the dissertation. This chapter holds the viewpoint that the art industrialization can clear up the shine of the artist's talent. In fact, the art industry is a "gemel" between many industries. The mode of the art industry is the mode of general industry and the mode of consumption culture. The art industry must be influenced and restricted by the regulation and logic of art and economy for its congenital dual-identity.The fourth chapter studies the technology in the field of art-industry. The main character of the industrialization is that it is based on the technology and be sustained by technology. "Copy- promulgate" is the key for analyses about art-industry's technology. Modern technology not only put the art-industrialization into practice but also impulse the art and media to grows together. Technology will become a ontological exist to control the production and consumption of modern art. Technology and art will be the one is not imagination but the human's practical activity. They provide the measure for people and exploit the new world of meaning.Epilogue is the expectation of the intending build and development about the Chinese characteristic art-industry.During the study of these problems, I try my best to avoid imagining at whole and to find the question and solution deeply. I always endeavor to find, to explain the exchange action, and try to bring forward new thought myself. I hope that what I have done can provide the academic assist for development of Chinese art industry, can impulse the academic research of the art industry. |
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