Study On The Poetess In Qing Dynasty

This thesis is on the foundation of few of forefathers' research results, proceed from primitive document material, have combed and analysed the whole style and features which women created of Qing Dynasty more comprehensivly for the first time. With women's position , women's vision and women's feeling, through reading to the text of " private diary " type in detail, present its lifelike individual life and abundant emotion three-dimensionally .analyse its unique aesthetic value created,look for the rational localization in the history of literature for it.In the Foreword , I have put research results of women of literature in Qing Dynasty in order and make the exhaustive survey since the the 20th century, comb out a comparatively clear train of thought of research, and look into the distance to the research work in the future.The article is divided into two parts. First part is the introduction. It has described content and style which women in Qing Dynasty created .It last four chapter altogether. Chapter one is women's literature overview of Qing Dynasty, summarize the fruits which women of Qing Dynasty created and the reason of women's literature prosperity is analysed.Chapter two proceed with the inheritting of poetess' subject matter of Qing Dynasty and break-through , analyse the mind experience that the state that women survived and women's consciousness were awakenned gradually of Qing Dynasty.Chapter three the subject matter that the poetess was commonly used has carried on type analysis to Qing Dynasty. Because the poetess obtained the comparatively free life style in Qing Dynasty, their visual threshold was relatively wide, the relatively former generation of content involved in the works is more generous .Chapter four analyses graceful and restrained touching fundamental keys of women made the artistic style that radiant splendour appeared in Qing Dynasty.The next content is writer's comment, choosing and analyse the largest scale women literature group which was named YuanMei's woman disciples and several representative poetesses in Qing Dynasty.Chapter one: YuanMei with his woman disciples , choosing XI-peilan, SUN-yunfeng , JIN-xianxian , YAN-ruzhu,LUO-qilan , 5 people as representatives from it.Chapter two: Three remarkable poetesses of Qing Dynasty: Xu can, Gu-chun , Wu-zao. Xu- can was a patriotic poetess between the latter stage of Ming Dynasty and initial stage of Qing Dynasty. She was the first poetess to write the patriotic content into the poem .Gu-chun , poetess of Manchu , had gained extremely high reputation on the poetry circles of Qing Dynasty with the remakabletalent. Her poem revealed existence true situation in loneliness and displayed her graceful and bold individual character .Wu-zao is a remarkable poetess in Qing Dynasty.This text analyses her depressed life, making friends situation, the consciousness of pursuing the reputation , religious mood ,and artistic style and features .Chapter three: Peasant woman's poet He-shuangqing. She grew in the abominable living environment, having literature talents .The article has analysed the content of her word, artistic characteristic, and her special status in the history of women's literature of Qing Dynasty.Chapter four: Born unlucky woman Xun- lian . This chapter proceeds with her marriage tragedy and unfortunate life , analyseing her simple and vigorous style of poem .Chapter five: Shen-shanbao was an important poetess of later period in Qing Dynasty. This part is from the standing of her self-confident, colourful thought content, bold and unconstrained artistic style and analyses in an all-round way her contribution to the content of women's literature of Qing Dynasty and open-up meaning of the artistic technique of expression.