Research On Ci-poetry Style's Evolution In Late Ming And Early Qing

This paper is the study on evolution and causation of ci-poetry style in late Ming and early Qing. Part 1 is probe into influence of respect to ci-poetry, transition of ci-poetry from near drama to poetry and change of apotheosis object. It was the important reason for comedown in Ming's ci-poetry to despising ci-poetry, so it was influence greatly for ci- poetry evolution to the poets respect to ci-poetry. But coming in for infection of conventional thought, the poets used to antinomy in respected to ci-poetry, so ci-poetry's evolution represent flexuous characteristic. The poets endeavored to differentiate between drama and ci-poetry by the style, artistic conception, language and swing. More and more poets begin to regard for ci-poetry, that ci-poetry was getting closer and closer to poetry. Besides the vicissitudes of society, mature genre consciousness of Zhexi, publishing "Ci-poetry Zong" and transfer of the poets' sentiment, all caused change of apotheosis object in late Ming and early Qing . Part 2 is the study on the ci-poetry style and causation of the three celebrated poets, Cao Er-Kan, Chen Wei-Song and Zhu Yi-Zun in late Ming and early Qing. It is probe into the relation between their ci-poetry style and ci-poetry style in late Ming and early Qing...