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Creation Society Poetry

Posted on:2008-03-22Degree:DoctorType:Dissertation
Country:ChinaCandidate:X M HuangFull Text:PDF
GTID:1115360212988196Subject:Literature and art
Abstract/Summary:PDF Full Text Request
Generally speaking, the poetry creation of Chuang Zao She incarnated a transformation that is from the poetry revolution to the revolutionary poetry, which was accomplished with the time history form multidimensional and heterogeneous aspects to monotone and unitary. In the course, "the revolution" as one kind of radical posture and the innovating power, became the inner driving power of the change of Chuang Zao She. With the transformation from being canonized for a representation of individual emotion and the individuality, to established as a tool of revolutionary propaganda, the poetry displayed sociality more than esthetics. Being impacted by ideology, "the revolution" changed from the individual liberation spiritually and the artistic aesthetical innovation, to the aware approval of social revolution content and the denial of individual space.The poetry's roomage was reduced, "the revolution" in the way of speaking, including language and form, was given up naturally.The deflation process of the revolution connotation in the Chuang Zao She's poetry, typically manifested the Chinese writer's dilemma of the society undertaking and the aesthetical request in modern society, and reflected new poetry' dual angst when facing the new world and language. In the thesis, to see about "oneself and probe into the issues on "pure poetry" and "revolutionary literature" are all to point out the internal cause of the veer in the Chuang Zao She's poetry."oneself is an important topic in the New Poetry, and the unprecedentedly image of "oneself in the representative "Goddess" of Guo Mo-ruo intensified it. On the one hand it aimed to the denial of the ancient regime, old world and "old myself, on the other hand it established one kind of brand-new principle to express feelings, broadenning oneself domain and poetry space. The revolution of poetry aesthetics had formidable power through the self-liberation and the artistic innovation, achieving the unification individual liberation and the social revolution. As the main body of psychic, "oneself was loaded practical ideology, communicating new idea and time spirit, while neglecting to introspect individual soul and dredge the indwelling appetency and ardour.Due to the absence of aesthetic self-identity and philosophical construction, "oneself in the Chuang Zao She's poetry seemed to be duckweed. It once tried to assimilated foreign culture to dream up its esthetics, while couldnot ponder over its form and technique, linking indigenous language to locate any innovation in the traditional resource. So the theory and inditement were out of line,or even tended to the extremeness of formalism. This made Mu Mutian, Wang Duqing, Feng Naichao and their symbolism practice promoted to grope for the modernity of New Poetry on esthetics, and left some pities likewise.At the same time, leading by the mainstream of sorrow country, the conflict between the individual liberation and the social revolution protruded in the discussion on the "revolutionary literature", and finally caused the creation troop's divergence. Some poets chose acceptance and took the social revolution as the poetry contents by rejecting aesthetical pursue, insisting the society undertaking and implementing the veer. The others were alienated, and insisted that poetry was to express self-emotion by keeping the independence of their tastes and gusto. Later the "Proletarian Poetry" excessively went in for reflecting realistic progress, and stiring mood up to speed the revolution. Poetry the imaginary language became effective, and then made the work of art coarse and banner-manner.Taking one with another, the poetry creation of Chuang Zao She typically showed that the New Poetry lost its way to modernization. This is a problem for the New Poetry on its esthetics, but also presented the pressure received from society, history and culture. To the "poetry revolution" of Chuang Zao She nonobjective and theoretic discussion is nothing. We should survey its inner, and take into the conditon of the day into account. Accordingly, to review the Chuang Zao She's poetry is not only to look through the poem, but also pay attention to the influence on literary pursuit that was brought by the changes from interpersonal relation and tradition of the consortium.
Keywords/Search Tags:the Chuang Zao She's Poetry, Revolution, Proletarian Poetry, oneself, Pure Poetry
PDF Full Text Request
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