The Concept's Meaning And Cultural Deposits Of Zhong Rong's Shi Pin

As the earliest academic monograph in Chinese poetics,ShiPin is famous for its deep consideration.It inaugurated a series of theories and concepts which established the poetics base,and gave the inestimable influence to the Chinese traditional poetics. Although ShiPin has rigorous ways in discussion,it is different from our research systems which give priority to the west literary theoretics.So;we should differentiate and analyze them more.This dissertation studied the basic academic configuration in ShiPin.On the one hand,we analyzed its transformation in history,and on the other hand,we investigated the relationship among them.The whole dissertation included seven parts:The part of Introduction focally illustrates the status in quo of study and determines study method of this Dissertation.As for the latter,those important concepts of Zhong Rong's ShiPin are put into the longitudinal historical river of Chinese aesthetics and literary theories and the transverse cultural atmosphere at the Wei and Jin Dynasties for reviewing,and in the concrete explanation,the transcendental explanation view is transferred into specific methods.The first part dissertate that as the topmost category in ShiPin,nature regulates the characteristic of the poesy.In Zhou Dynasty,the disaggregation of the fatality accelerated the birth of the nature.As the replace for the fatality,Tao became the topmost gist to explain the world rationality,and the nature appeared as the features of Tao.In this way,the nature had the indiscerptible relation with the noumenon,and turned into one of the gist which was used to interpret the world and form in philosophy.ZhuangZi's nature idea started to close the nature and the savageness,which made them to attempter and started the new direction for the subsequent subject.During the Han Dynasty,the concept that the heaven and the man had the telepathy made the fatality came into the based category,and operated the authoritative effect as the topmost rationality.The metaphysics in the Wei and Jin Dynasty broke out the thought monopoly,which made the nature changed from the inherence to the characteristic,and more to be the topmost gist to explain the world.The concept became consummate from Wangbi to Guoxiang,and at last autocephaly.The trend of thought diffused among the life of the literator,involved various aspects of culture.As the outcome of the metaphysics,the nature in ShiPin became the core concept to command the whole article,and effected requisitions for the creative mood,creative method,aesthetic ideal ect.In addition,the nature gave birth to some aesthetic objects and categories,which relate to the nature landscape,such as the real,clear concepts. Concretely,ShiPin appeared as the nature,and the objects were recognized because of the embodiment of the nature,which Zhongrong admired so much.The real and the clear held together the essentiality of the poetry,and showed the style and features of the nature,which became the criterion based on the nature landscape,both inside the real and outside the clear.The second part analyzed the academic meaning of tempermament in ShiPin.With the flourish of the poesy in WeiJin,Six Dynasty and the disenchantment of the individual consciousness,the poesy began to hold the central position as a kind of important psychic culture in individual lifes.During the course,the individual life spirit was put on more attention.The poesy changed from the instrument to domesticate the member to the show of the visage,even the real life.From the poetics theoretics during that era,the relation between the poesy and the individual tempermament became the emphases,and the concept that the poesy was rooted in the sensibility,was gestated and borned.As the monograph on the poesy theoretics,ShiPin mentioned the tempermament t as the expressional lay to study,which was as same as the other monographs,and regarded it as the fountainhead of the poesy inditement.But tempermament was a concept from philosophy to culture,and was full of complicated culture background.So,this part analyzed the culture venation of the tempermament,paying attention to the theoretics meaning in ShiPin.The third part was about the historical creation and the intension of ZHIXUN,as the basic method in ShiPin,which was closely bound up with the traditional culture.From the point of words origin and the civilization,it included ZHI which standed for the pellucid nature and XUN which materialized the man-made creation.Both of the antitheses inclining came to conformity with the WeiJin metaphysics,which inosculated the poetics and philosophy and achieved the depth of the thought.Zhongrong abnegated the metaphysics method and advocated the ZHIXUN,which gave a new way for the creation of poesy.From the representation,it directed the creation and decided the tend of the poesy;and from the abstract,it was a bridge of how the framer exhibited the essentiality of the poesy.As this method touched the essence of the classical poesy,it came into a methodology of traditional theory and was accepted by theorist.It was the pioneer of them.The fourth part discourse upon the latency effect to the aesthetics ideal of harmonious, which aimed at the question faced and built by Qin dynasty and Greece philosophers.Its characteristic was the amalgamation of the outside astro-spirit and the inside individual culture,which based the harmonious of the universe on the human's nature.As the core category,harmonious was a multilayer and tridimensional conception.Neutralization which came from the Confucian and DAHE which came from the Tao,were the two footstones.The former provided the balance,and the latter brought the noumenon pursue and elenctic conception,which inosculated in YIZHUAN and Middlebrow.The fifth part was the connotation of the flavor and its bear of weight of other conception.As the important conception in ShiPin,it was a lengthy process in the development of the poetics,which built up the traditional culture basis.Someone doubted it's existing because of Zhongrong's overlook to circumscription.Thus,this dissertation not only discussed how the traditional culture dominated and affected the favor theory,but also expatiated how it came in the theory inside,becoming the solo and the core,which made the ShiPin profound and became the eternal symbol.As the core nomenclature in ShiPin,the favor theory was the rime of the traditional thoughts.But that was not to say it could crown all.In fact,additional the inside vital force and the energy,it showed the relation with the other category,which exploited the conceptions such as ZhiXun,Nature.So,the favor theory had the extensive compatibility.The last part was about the effect of ShiPin.As the ancestor of the poetics,it created many form to be followed,and established the criterion of the poetics,which became the precondition of the poetics to outspread and embed.So,we can say,ShiPin gave birth to the Chinese traditional poetry configuration,and it is the apotheosis in poetics.