The History Of Debating Upon Tang And Song Poem During Qian-Jia Period In Qing Dynasty

The subject of this paper is debating upon Tang and Song Poem during Qian-Jia period in Qing dynasty.By analyzing the composition of different camp staff,the contrast of power,as well as poetics stand in the debate of important poets and theoreticians which build upon the era of ideological and cultural and Poetics background,the origins of poetry,the poetry friends,the personality and personal temperament,and other internal and external factors,demonstrating the dynamic development of debating upon Tang and Song Poem during Qian-Jiap period in Qing dynasty detailedly,and revealing the acceptance of the poet factors of the Tang and Song Poem in Qian-Jia period,and opening out the development trend of poem in Qian-Jia period under the influence of the debate.Paper starts in the field of Cultural Poetics vision,traditional poetry criticism and poetry research are the main methods,in the study of the literature on the basis of an in-depth theoretical analysis,drawing on the West to accept aesthetic theory,in a bid to the more broad cultural context,display poetry trends of Qian Jia Qing Dynasty in the evolution dispute and its impact.Debating upon Tang and Song Poem during Qian-Jia period experiences the distinct against of the Tang and Song,then reconcile with the Tang and Song Poem and the tripartite confrontation,to the North-South confrontation of Tang and Song sect.Tang to send forces in the increasingly weak,factoring thinking of the Tang and Song Dynasties popularity,the status of Song Poetry and Song Poetry increased acceptance of the continuous improvement for the period of the Tang and Song Qian Jia dispute the dominant trend of development.Tang sect which representative is Shen De-qian praises Tang Poem basing on legitimacy of types of literature and high pattern,by studying Tang poem's legitimacy as principle.Song sect which representative is Li E inherits the chilly style and the innovation spirit of Song Poem and develops the method of writing poem using knowledge in theory and practice.Two sects oppose as two mountains.A small group of people of insight are against debating Tang and Song Poem in two sects.Their power is not stronger than the two sects,but they are prepare for the tide of Tang and Song Poem's reconciliation.In Qianlong medium-term,Xingling genre which argues against differentiating Tang and Song Poem grow up in the Parnassus.They criticize Tang and Song sect which lead to disintegrate of opposing between Tang and Song sect,tripartite confrontation form.After the middle of Qianlong,the rising trend of thought intermediation Tang and Song Poem,reconciliation of Tang and Song Poem becomes the dominant trend in the dispute.When Yuan Mei's is popular in Parnassus,Weng Fang-gang's repute raises because of his proposing fabric,advocating Song Poetry.From the late Qianlong to Jiaqing,the power of Song sect grows continuously.North-South confrontation between Weng Fang-gang and Yuan Mei is the main representation of the disputation.Huang Ting-jian's poem is broadcasted widely and the flow of the method of writing poem using knowledge in theory and practice at this time of prosperity is the main features of Song.At the turn of Qian Jia,Song faction emerged to overwhelm the reconciliation and ultimately contributed to modern Song poetry movement.