Aitmatov And Contemporary Chinese Literature

Modern civilization, it means constant innovation and extensive exchange of national literature of isolated rivers are increasingly incorporated into the vast ocean of the world literature, various national, regional literature with each other exchange impact, to accept and create constitute the indispensable systems. For Modern and Contemporary Chinese literature, foreign literature, especially the influence of Western literature plays a fundamental role in inspiration. Aitmatov is the one to be reckoned with in many foreign authors produced a major impact on Chinese contemporary literature, contemporary Chinese literature, especially since the new era of literature, also had a fundamental impact Chinese literature collar by a ray of light of the world literature. Issues related to the depth of Aitmatov and contemporary Chinese literature will no doubt help us to increase the empirical knowledge of the outside influences of contemporary Chinese literature, and a deeper understanding of contemporary writers is how to absorb outside influences play originality also by contemporary Chinese writers on the acceptance of Aitmatov more clearly the other hand, the ideological and art direction for nearly thirty years of Chinese literature.The introduction of this paper some of the major scan Aitmatov the creation of profiles, a clear Aitmatov in the orientation of the impact coordinates of the Russian and Soviet Literature, combing domestic scholars Aitmatov its Chinese Research and limitations, and ultimately to clarify the ideas of this thesis. This paper intends to put it back in the spread and impact of Aitmatov in a specific historical context since the1960s, look in the end what the historical context of Chinese writers on Aitmatov’s accepted; Aitmatov Chinese writers and their works and to implement the basic, level of empirical and case studies; give full play to the research and scientific at the same time, we also intend to use a parallel study, cross-cultural studies to compensate for the impact the lack of research; and as much as possible to explore the Chinese writers accept Aitmatov and originality, and to summarize the experience in creative transformation of the Chinese writers, for the healthy development of Chinese literature in the future contributions to both gains and opinion.The first chapter from the perspective of the history of literature to examine the spread of nearly50years, Aitmatov in China and accepted the process and characteristics. Aitmatov in the dissemination and acceptance can be roughly divided into three stages:The first stage is introduced in China in1961, Aitmatov’s novella "check density Liya" was initially translated until the Cultural Revolution ended in1976, Aitmatov, at this stage the spread of and is still in its early stage is still pent-up and misunderstanding, the only folk in order to finding friends. The second stage is from1977to1991until the collapse of the Soviet Union after the end of the Cultural Revolution, Aitmatov’s works by the warmest welcome, they affect the group after group of Chinese writers, and promote the thought of Chinese literature change, in particular humanitarian and literary roots thought important inspiration from him. The third stage since1992until now. After the collapse of the Soviet Union, mainland China began to vigorously develop the market economy, the entire social climate change is one of the crumbling of the human spirit gave rise to anxiety and worry of many people of insight in the dissemination and acceptance of of Aitmatov work in China also bid farewell to the early1980s, the kind of fiery climax, but this disappeared, but gradually imported into the tide of world literature, and even hidden corner of the undercurrent of Chinese literature is not unnoticed. Overall, the Chinese contemporary writers formed groups of four to accept to accept Aitmatov:in Xinjiang experience of literature written by writers, minority writers, Western writers, and other nondescript contemporary writers. Aitmatov’s to focus on both common and there are different points.Chapter II test Chayitema Rostov on Chinese contemporary writers Xinjiang experience writing, with emphasis on analysis of Wang Meng, Hung Ke, the Wen Yajun three writers. In Xinjiang experience in literary writing, they are invariably draws on Aitmatov’s novel experience, they are wantonly writing Xinjiang regional customs and ethnic customs, prefer to explore the underlying humanity of the people of America and favors America; like Wang Meng short story "Song of God" and Aitmatov’s novella "check density Liya" similarities between; red Ke "Big River","Urho","tree of life" and other novels like Ait Ma Tuofu like to join the animal narrative, the myths, legends, like; Wen Yajun novel like the introduction of animal narrative, his novel "The shore of the sea" right from Aitmatov’s novel "One day longer than a hundred years". No exaggeration to say, it is Aitmatov the impact of Xinjiang experience writing the upper to the rational conscious level, a few wiping brilliant splendor for Chinese contemporary literary contribution.The third chapter discusses the Aitmatov Chinese contemporary minority writers, including Hui writer Chengzhi, Tibetan writer intended to Caesar Renhe Manchu writer Zhu spring rain. Zhang Chengzhi was subjected to Aitmatov’s profound influence,"Aleksei football","Black Steed" and other novels is an obvious example. Zhu Chunyu Asia Falls and olives "and other novels in the structure of art and planetary thinking Aitmatov more reference to his novel" Blood Bodhi "the culture of the Changbai Mountain in Northeast Manchu Bala roots, by Aitmatov’s a lot of inspiration. Italian Caesar Ren is also under the influence of Aitmatov’s pursuit of national grasslands humanitarian criticism with the ultra-leftist politics, tells of the sadness and loneliness of the Tibetan. In these contemporary minority writers of the national identity and cultural awareness, Aitmatov was to play a great catalyst.The fourth chapter that focused on Aitmatov Xianliang, Yao, Gao Jian Chinese contemporary western writers. Aitmatov novel distinctive heavy sense of morality, earth worship, female worship emotion, as well as a strong regional style description, they are very interested in the main aspects of their acceptance. Liang Shore Braque and Aitmatov "I wrapped a red scarf Topol, like looking for the people in the western underlying goodness and beauty, while the children of the river draw Yi Tema Molotov’s "A Farewell to, Gulisalei" narratives to reflect on the ultra-leftist politics, looking for national vitality, the "Green Tree","half of the man is a woman" is clearly drawing on women in worship in the mother-the earth factors, thus the reflection of ultra-leftist politics into a strange love story of folk tales. Lu Yao’s "Life,""Ordinary World" and "difficult days" and other novels like Aitmatov to discover the underlying people’s tenacity and honest pursuit of humanity and humane light. High-rise group "distant white house" like Aitmatov writing frontier style full of exotic colors, the Dashun shop "novel is back to ringing women worship sound wonderful song.Chapter while Zhang Wei, the Yangxian Hui, Chi Zijian writer as the representative test Chayitema Rostov other contemporary writers. Zhang Wei’s civil position, the natural ecological writing is undoubtedly right Aitmatov much to learn from Yang Xianhui in the short story collection,"It’s a big beach" put Aitmatov style natural life philosophizing and humanity America interpretation of the theme of impressive, Chi Zijian, in the warmth writing, animals narrative to Aitmatov away to pay tribute to Italy.The conclusion once again rise to a substantial contribution to literary history of the macro-level anti-Siyitema Rostov on contemporary Chinese literature, the creative transformation of the Chinese contemporary writers on the the Aitmatov foreign literary experience and they are the constraints of the local culture. Compared to Kafka, Marquez, Faulkner, Borges and other writers, distinct humanitarian grounds to the bottom of the people of the beauty of human nature and human excavations, the most fundamental characteristics of Aitmatov novel is also the most unique things to the Chinese contemporary literature. Contemporary Chinese writer Aitmatov’s foreign literary experience the transformation of the local culture and personal experience, the experience of the times, geographical experience to fusion, to create a fiction masterpiece full of artistic appeal and sincere and effective. But by the practical rationality of traditional constraints of the local culture, they generally can not accept Aitmatov’s transcendent spiritual traditions. To say that this is a pity.