The Developing Of Jazz-Study Of The Relationship Between The Local Jazz And City Culture

Since the beginning of the jazz, with its unique artistic charm and connotation attracts the attention of the music lovers all over the world. From the southern port city of New Orleans in the United States, to the far east, jazz, with its unique artistic charm and inclusive aesthetic qualities, is gradually in-depth development to all parts of the world. At the beginning of the 20 th century, western jazz was introduced into China for the first time in Shanghai, After has experienced the prosperity of nearly half a century, in the 1950 s jazz began to become silent gradually, and the Jazz was once in the whole Shanghai so popular, it disappeared in people’s field of vision overnight.But the jazz improvisation way of playing, carefree tune and the golden years of past years, and the culture of the city of Shanghai, and in the evolution process of unceasing development, gradually become a kind of cultural phenomenon, with special artistic spirit influenced more and more ordinary Chinese., so to speak, the prosperity of jazz in Shanghai, depending on the city of Shanghai’s unique artistic and all inclusive culture trait, and in its development process, gradually formed with Shanghai local art characteristics and cultural connotation of jazz. The most important thing is that under the specific historical period, alternating between jazz and urban culture, formed a unique "localization" of the jazz art characteristics and aesthetic connotation. But for the first half of the 20 th century Shanghai local jazz, is not pure import, Shanghai’s jazz is more of a product of Chinese and western culture blend that luxury style and the Shanghai nightlife perfect interpretation of the sinicization of foreign values., while the localization of jazz in Shanghai was also a piano, clarinet, saxophone, trumpet, trombone, bass, drums, hammer, percussion composition, but the jazz with Shanghai mandarin pop music is given priority to, at the same time into the Oriental aesthetic value and artistic conception of the world, formed the unique localization of jazz. Therefore, this article will be based on the data from the epic, the musicology, music sociology, literary theory as well as the communication and so on many angles to explore the jazz after the rise of China and the whole process of silence, and at the same time focus on analytical jazz in Shanghai, was introduced into China after the specific evolution process, to find the connotation of the spirit of jazz and Shanghai, China, the implicit relationship between the traditional Shanghai style culture. Finally established jazz process of localization in China and the inner relation between traditional Chinese culture, as well as contemporary Chinese jazz interpretation and deduction of diversified cultural identity. At the same time, combining the empirical and theoretical interpretation, based on the original literature, trying to do the best to read and find problems and solve problems in the analysis, on the basis of a personal interpretation. And find the inner relation between jazz and urban culture, on the basis of empirical research to further explain, jazz from the theoretical level, and then the course of localization in China.The first chapter of this Paper is a brief overview of the main course and the development of western jazz and the essence of its inherent characteristics, and summarized the western jazz art spirit and aesthetic characteristics for the effects of China’s jazz localization in the process of development of jazz, its inherent music also unceasingly in the evolution of the connotation and the culture., so to speak, with the change of social mainstream ideology, what happens in jazz is more and more, it is constantly updated and creation, made in the early 20 th century American jazz to constantly move forward. At the same time, the jazz’s sphere of influence is not limited to the United States, from the south coast of the United States, the mainland has been to the far east, jazz, with its unique artistic charm and diversified mode of transmission, gradually deep into every corner of the world, and jazz was introduced into China for the first time in the 1920 s Shanghai, had begun the journey of the sinicization of jazz.The second chapter, from the Shanghai style culture as the breakthrough point, in this paper the evolution and development of jazz in Shanghai at the same time, from the perspective of aesthetics to explore jazz art characteristics and the mutual influence between the Shanghai style culture, at the same time the objective evaluate the course with the localization of jazz in China, and further discusses the artistic connotation and aesthetic spirit of jazz, and define the interdependence between jazz and pop music and inclusive relation, the jazz itself as well as the factors influencing the jazz localization of research as the research object of this article, trying to a plane, exploring the intrinsic connection between jazz and Chinese urban culture.The third chapter will show jazz diversified in the localization process of aesthetic and cultural identity from the concrete text and social and cultural events, and an overview of the jazz the veins of the localization process of aesthetic and cultural change, tries to clarify the localization process of jazz and creative. At the same time, the jazz in the development of jazz in Hong Kong and Taiwan a brief comb; And to further explore the revival of the jazz in contemporary China and its influence, to explore from the perspective of music and music aesthetics perspective of jazz in the whole course of contemporary Chinese Renaissance.The fourth chapter further discusses the jazz in the development and changes in the modern China, from its aesthetic characteristics and connotation as the breakthrough point of the paper, discusses the localization process of the development of the aesthetic modernity of jazz. As a form of music, jazz, silence and Renaissance in China have proved that the cultural value idea and the way of thinking from the side itself for selection mechanism in the form of art. Therefore, this article will analyse from the perspective of reception aesthetics and music sociology and huge response caused by jazz in the 1920 s and after the jazz in the whole process of China’s and Renaissance, the receiver’s spiritual needs from the deeper level understanding inner link with the jazz itself, and to find out the key to jazz silence and Renaissance.The fifth chapter, reflection and outlook, the inner cultural driving force of the development of jazz as well as the opportunities and challenges in the development of Chinese jazz during the period of transition. From the context of urban culture, discusses the necessity of modernization and localization, jazz to re-examine jazz from the perspective of aesthetics of literature and art produced in the process of the localization of the unique spirit of music and aesthetic characteristics.To sum up, after the origins of jazz and the production of various genres, and against the background of era environment is closely related, and in the process of urban culture become the jazz objective carrier of the development and evolution, with traditional music, folk music and other art forms in the process of communication jazz, constantly absorbing the various elements of all kinds of music, the world within the scope of the music and played an important role and influence. Standing in the history of today, looking back nearly a century of the rapid development of jazz, we can feel not only the western music bring us the unique aesthetic value of interest, we can feel a kind of unique creativity and vitality of the music form, the objective of positive factors, is the development and evolution of the jazz power, is also a jazz localization process to absorb the important elements, it is only through a variety of means, make the whole process of the localization of jazz more detailed and clear, to make this kind of western music in China can reflect the real aesthetic value and artistic taste. We out of the interpretation of jazz is, as it were, for urban inner awareness of culture, its internal capacity and the degree of release of urban culture and jazz music for people to think of this era of path, revealed is exclusive in the metropolis culture unique flavor, we learn to appreciate and even early has transcended the music itself, under the background of jazz, city has gradually become a giant notes, players belong to the themes of the melody.