The Tragic Spirit Casted By Music On Wang Xilin’s Symphonic Works

The composer Wang Xilin uses symphony music language to speak and reflect the suffering,and has formed his individual tragedy spirit esthetics thought in his creation. His life experiences,spiritual connotation, aesthetic thought are not only the soul of his musical works, but also the foundation of his creative technology. The aim of his creative use of folk music and his reference of western composition technology is to express his tragic spirit throught throught the musical language with nationalliztion and symphonic fusion. Throught the analysis and research of his five important symphonic works created in his different life stages from the form technology to the humanistic aesthetics, from the spiritual connotation to the music sound, from the macroscopic idea to the micro creation, sums up his symphonic thinking to "shape, spirit,meaning" three different dimensions to transform and use of the specific characteristics of folk music, and sums up his common long breathing structure thinking of his symphony creation on the micro level and macro level for further understanding of the tragic spirit of aesthetics in his musical works, which forms a unified organic whole, in order to achieve the analysis and research of the relationship between the spirit world of the composer and the music language.