Zhang Chengzhi And Chinese Literary Trends Of New Era

Nowadays, the research of Zhang Chengzhi mainly stems from the internal authentic,seldom from the context category in modern literary trends. Thus, the paper tries to explore the relationship between national minority writers and Chinese contemporary literature of New Era through Zhang Chengzhi and Chinese literary trends of New Era.In the first part of introduction, it mainly focuses on the current research about Zhang Chengzhi and Chinese literary trends of New Era to put forward the significance and outline of the whole paper. In the second part there are three chapters. The first chapter has explored the relationship between Zhang Chengzhi and educated youth literary trends. Compare Zhang Chengzhi with the other educated youth writers in the same period to illustrate the homogeneous and transcendental relation of Zhang Chengzhi and literary trends from theme choices and emotional dependence, natural perception and emotional transcendence, the description of maternal love and the worship of underlying.Additionally, the research also extends to Zhang Chengzhi's educated youth aesthetic scope and reflection to further understand the relationship between the writer and literary trends. The second chapter has investigated the relationship between Zhang Chengzhi and the root-seeking literature by analyzing awakening national awareness, root-seeking location, the aesthetic expression of root-seeking and extreme practices of root-seeking. Zhang Chengzhi's aesthetic expression of root-seeking here refers to the accomplishment of ethnic recognition and the unique criticism of modernism through multi-comparisons.As for his extreme practices of root-seeking,it is about the uniqueness of religion and the anxiety of ideal. Chapter three is about the relationship between Zhang Chengzhi and secularization literary trends in the 1990s. In this chapter, the paperfirstly deals with the fighting relationship between Zhang Chengzhi and the literary trends from the objects, resources and methods etc. And then it analyzes the changes from abandoning refusal system to limiting freedom to reflect Zhang Chengzhi's helplessness and passiveness in the secularization literary trends. In the final part of conclusion, the focal ideas of the paper have been illustrated further and pointed out that the existence of Zhang Chengzhi in the Chinese literary trends of New Era represents the contradictory situation of some educates during the development of Chinese literature in the New Era.