Study On Aesthetic Character Of Jun Porcelain Art

As aesthetic flavor Jun porcelain is shaped during the pregnancy if the Chinese traditional philosophy. The conception, which contains the unit of Dao and artifact and the mutual display of words and meaning, gives the Jun porcelain the dual pratical and aesthetic value orientation, which lastes from the Northen Song Dynasty, never being broken for change of dynasty.The aesthetic flavor presented by the art form of Jun porcelain is not only from its uniquely material technology and also contracted decorative form based on fambe. At the same time, the arrangments of earring and foot ornaments in Jun porcelain presents the features of geometry by mould technique according to the pattern organization of uninterrupted two squares, which differs from uniterrupted four squares formed by porcelain vase of Ding kiln and also glaze decoration in Ge kiln porcelain which mainly is craze.The generation of aesthetic flavor of Jun porcelain is closedly related to the specific political tendency and cultural conception. The political environment of the Zhao-song regime, where the literati politics attaching great importance to civilian and suppressing attache was implemented and the craft laws banning the luxury goods was promulgated with the limitation on the precious material and advocate of earth porcelain, makes the kiln so prosperous that procelain becomes sacrifitical vessel instead of bronze ware and lacquer. Moreover, the popularity of the song neo-confucianism in thought changes the relationship between Dao and artifact, the simple insipid atmosphere from idle talk and political criticism directly influencing the Jun porcelain art pursuit removing decoration.The aesthetic flavor evolution of Jun porcelain paralleling vessels and purposes comes from the circulation of elegance and vulgar brough by the rise of citizen stratum. Since the foundation of new China,the status chang of users directly influeces their aesthetic pursuit. Jun porcelain follows the old way of resintering in the influence of mass culture, springing up a large number of vessels which contains more cutrual implication than aesthetic interest. Although too many forms,it can be regarded as the try to make aesthetic style of Jun porcelain diversification.After Jun porcelain is included in the non-material heritage list, its culture space, sites and living culture got recued and inherited as well as the social and ethical aesthetic value contained in Jun porcelain as historical heritage restoring elegance to a certain extent.