Research On Mongolian Traditional Instrumental Ensemble

As an important part of Mongols' s traditional music,Mongols' s traditional instrumental ensemble is a rich cultural heritage.This paper mainly discusses the Folk Instrumental Ensemble in the background of grassland culture in Inner Mongolia,taking the most representative instrumental ensemble form in Mongols as the object of study,the ensemble of "Nai Ri" in Erdos,the ensemble of "Aser" in Xilingol and the ensemble of "Dong Meng" in Horqin,this paper makes an analysis and study of Mongols Traditional Instrumental Ensemble from the following five aspects: The constituent elements of the traditional music form,the tonality of the mode,the melody and the developing technique,the musical form structure,the multi-part texture,etc.,this paper attempts to sum up its unique technique in the traditional instrumental music theory,and then probe into the law of music form contained therein,and construct the theoretical system of music form analysis of the traditional instrumental music ensemble in Mongols.The Ensemble Art of Mongols Traditional instrumental music,which is distributed in different areas of Inner Mongolia,has common characteristics in terms of cultural attributes and cultural functions.However,due to the differences of regional culture,it also presents distinct local style characteristics.Putting the three most representative forms of Mongolian instrumental ensemble music in the background of traditional music culture in Mongols,the study found that the instrumental ensemble art in each region does not exist in isolation,instead,it forms an interactive pattern with other folk music cultures,which learn from each other,absorb each other,and together form a complete regional music culture.This paper is composed of six parts: Introduction,four chapters and conclusion.In the introduction,the current research situation of Mongols Traditional instrumental ensemble at home and abroad is sorted out,the train of thought and method of the research are expounded,and the theoretical and practical significance of the research are pointed out.The first chapter discusses the form and living conditions of Mongols' s traditional instrumental ensemble,including the form of instrumental ensemble in the historical context and the cultural conditions of the formation of the three local instrumental ensembles.The second chapter describes the three most representative local instrumental ensembles and performing customs in Mongols,collects and arranges the ensembles and records the scores,it provides a real and effective text for the morphological analysis in the next chapter.The third chapter is the core part of this paper,taking the instrumental ensemble music collected from field investigation as an example,firstly discusses the elements of the analysis of traditional music form,it is pointed out that the key mode,scale,timbre,rhythm and rhythm,dynamics and expression are the important expressive language of traditional music,and play a leading role in the music style of ensemble.The Second Section analyzes the ensemble from the mode tonal layout,transfer and transfer.The third section has carried on the thorough analysis to the melody shape as well as the common development technique repetition,the affixation,the development evolution,the variation and so on,he proposed that the upper fifth and lower third of the melody at the end of the piece were the special marks for the termination of Mongols Instrumental Music Ensemble.The fourth section of the structure of music,in a large number of examples on the basis of the spectrum analysis,summed up the commonly used instrumental music form types.At the same time,the overall morphological analysis is made of the four pieces of Lao Ba Yin,adapted by Lao Ba ban,a traditional tune of the Han nationality,which are popular in different areas of Horqin,it points out that different musical thinking mode and different musical instrument timbre create different musical features.The Fifth Section discusses the texture characteristics of multi-part,and analyzes the combination of different parts in ensemble from four types: The simultaneous,the branch,the lining and the polyphonic imitation.The sixth section discusses the creative characteristics of Mongols' s traditional instrumental ensemble.Through the discussion of this chapter,it summarizes the music style of the Mongolian Traditional Instrumental Ensemble,and points out that the Erdos "Nari" ensemble has the characteristic of "folk instrumental music","ASER" ensemble has the characteristic of "the folk music of court banquet","the East Mongolian Ensemble" has the characteristic of the mixture of Mongolian and Chinese culture.The Fourth Chapter elaborates on the artistic value of Mongols' s traditional instrumental ensemble,and points out that the instrumental ensemble has become the most important music cultural content in people's life,he has valuable experience in culture,folklore,aesthetics and belief,which provides a theoretical basis and reference value for the study and creation of Mongols' s traditional instrumental music.The conclusion summarizes the research results of this paper,and clarifies that as a kind of music with a long history and culture,Mongols Traditional Instrumental Ensemble is an important part of Mongols traditional music system,he is also an important member of the family of Chinese traditional music.His research on the form and living conditions,performing customs and musical form features aims at constructing a theoretical system for the study of Mongols Traditional Music Form,to contribute to the study of Mongols' s traditional instrumental ensemble.