A Study On The Theme Landscape Painting Of Xiaoxiang In The Five Dynasties And The Song Dynasty

During the Five Dynasties and the two Song Dynasties,landscape painting with the theme of "Xiaoxiang" began to prevail,involving a wide range of painters and rich forms of expression,which became an important theme and a cultural phenomenon of landscape painting creation in this period.The painting style and aesthetic concept of the landscape painting with the title of "Xiaoxiang" had a certain impact on the development of landscape painting in this period.This paper limits the time range of study to the period of Five Dynasties and two Song dynasties.First,this is the most prosperous period of landscape painting creation with Xiaoxiang as the theme.Secondly,it happens to be the node of the rise of literati painting with unique historical significance.Its aesthetic character and painting concept are very innovative and experimental,which has a special historical position and aesthetic value in the development and evolution of Chinese landscape painting.Third,in this period,the landscape painting with the theme of "Xiaoxiang" shows more metaphorical,lyrical and humanistic interest than ever before.The deep thinking of this phenomenon is very enlightening for the study of the aesthetic value of Chinese landscape painting and the formation of personal painting concept.In addition to the introduction,the paper is divided into four chapters.The first chapter traces the geographical characteristics and cultural origin of Xiaoxiang mountains and rivers.In the first section,"investigation of geographical resources".This paper studies the process of Xiaoxiang mountains and rivers from mysterious and hazy images to its unique geographical resources.Through investigation and research,it is found that the concept of water resources and its unique composition system are important to the formation of Xiaoxiang geomorphic features;with "Xiangjiang River" as the main line,it is necessary to promote the understanding of the landscape features of the whole Xiaoxiang River Basin,focusing on the relationship between "Xiaoxiang two rivers",and the investigation and description of landscape resources in the river basin in previous dynasties;it is concluded that "water" The importance of the concept of "source" to the formation of Xiaoxiang geo culture.Section II "sorting out human resources".This paper explores and sorts out the historical events and human resources related to Xiaoxiang mountains and rivers,and classifies the human resources contained in Xiaoxiang mountains and rivers from three aspects of "the source of human culture","relegation culture" and "fishing hidden complex"."The source of humanity" : taking time as the clue,holding the important historical figures and events as the nodes to discuss;mainly describing the Emperor Shun,the loyal and pitiful concubines,the patriotic and noble Qu Yuan,the famous scholars of Wei and Jin Dynasties who are at the beginning ofXiaoxiang landscape culture."Relegation culture" : mainly from the spiritual integrity of literati and scholar officials,the formation of relegation place,the unique phenomenon of relegation literature and so on."Fishing hidden complex" : from the tolerance of "letting nature" to the noble character of sticking to the ideal,and then to the "transcendent Seclusion" of returning to the real,to present the formation and evolution of "fishing hidden complex";this paper makes a detailed description of the introduction of "fishing hidden complex" from literature into landscape painting and its expression and integration methods,in order to discuss Xiaoxiang The "Metaphorical" and "lyrical" in the theme landscape painting pave the way.The second chapter analyzes the emergence and development of Xiaoxiang landscape painting in the Five Dynasties and early Song Dynasty.The first section starts from the social background,analyzes the Five Dynasties political power moving south,the political center moving south.Starting from the important historical node of the rise of literati painting in the early Song Dynasty,this paper analyzes the reasons why the writers are full of yearning for the remote and mysterious Xiaoxiang.It also discusses the purpose of introducing the factors that influence the formation of Xiaoxiang into the landscape painting,so as to analyze the important reasons for the formation of "Xiaoxiang fever" in the field of painting in the two Song Dynasty.The second section of the FiveDynasties to the Song Dynasty Xiaoxiang theme landscape painting of the emergence and development,made a literature citation and the spread of works to prove the data.This paper selects Dong Yuan's "Xiaoxiang painting" and Song Di's "Xiaoxiang eight sceneries" which are the most representative works in the Five Dynasties and two Song Dynasties,analyzes the reasons for their emergence and the background of their creation,tries to summarize the painting styles of Xiaoxiang theme landscape painting,and focuses on the impact of this period,highlighting its historical value in the development of Chinese landscape painting.The third chapter discusses four kinds of interest in "Xiaoxiang" theme landscape painting.Dong Yuan,Song Di,MI Youren and Zen monk are selected as the four distinctive styles of painting,which are respectively "true interest","natural interest","strange interest" and "Zen interest".This paper discusses their innovative spirit in the exploration of brush and ink in the theme landscape painting of "Xiaoxiang",and describes their achievements in breaking through the traditional barriers and getting rid of the disadvantages of academy painting.The first section analyzes the "real interest" of the ink language in Dong Yuan's "Xiaoxiang map" from the "realistic" to "freehand".The second section analyzes the "natural interest" in the "eight sceneries of Xiaoxiang" from the two aspects of "living pen" and "nature".It explains that Song Di's "living pen" theory contains a higher and broader aesthetic level.Thethird section describes the "unique interest" of mi you in the second picture of Xiaoxiang.From three aspects,I can see strange rice spots in the middle of the plain,nameless smoke clouds,and ink play without rope drawing,which involves the analysis of texturing,artistic conception creation,ink language and other specific contents in the second middle school of Xiaoxiang.It shows the exploration spirit and innovation spirit of Mie in the development of landscape painting.The fourth section discusses the "Zen interest" created by Zen monks in the "eight sceneries of Xiaoxiang" by analyzing the way that Zen monks integrate Zen into landscape painting;analyzes the relationship between "simplicity and lightness","simplicity and disability" and "empty and white" in the "eight sceneries of Xiaoxiang" in Zen painting,as well as the significance for forming the unique space and structure of "eight sceneries of Xiaoxiang" in Zen painting.The Fourth Chapter Explores the ways and means of blending the theme of "Xiaoxiang" landscape painting with poetry."Xiaoxiang" has both poetic edge and poetic quality,and the close relationship between Xiaoxiang's landscape and its unique history and culture can also trigger the poets' poetic interest.The First Section traces the differences and similarities between poetry and painting,analyzes the Song Dynasty scholars in breaking through the limitations of their respective fields of poetry and painting art,and makes poetry and painting mutuallycomplementary and interlinked many aesthetic viewpoints.In the second section,Xiaoxiang's thematic landscape paintings introduce poetic forms.Through the poetic interpretation of Xiaoxiang Tu,this paper analyzes the relationship between the poems inscribed on paintings and the artistic conception of paintings,and analyzes the potential poetic origin of Eight Views of Xiaoxiang through the poetic tracing of Eight Views of Xiaoxiang In the third section,the author tries to analyze the way in which the zen-like "Eight Views of Xiaoxiang" is blended between poetry and painting from the perspective of Shihuihong's "eight realms","landscape painting with Xiaoxiang theme",especially "Eight Views of Xiaoxiang",has the function of analogy and allegory as a poem.In the Fourth Section,the author discusses how to realize the Metaphor and lyric in the poetry of the Eight Views of Xiaoxiang from the two aspects of "the late scenery and the deep meaning" and "the fishing village and the Taoyuan Complex".Through the above research,the author tries to understand how the "landscape painting with the theme of Xiaoxiang",as a heritage painting,realizes the enhancement of connotation and the fusion of poetic flavor.