Analysis Of Protection And Development Of Tibetan Music Heritage Ethnology Of Subjects

The form of culture is rich and varied,while the connotation of culture is profound and profound.Music cultural heritage for the Tibet region,are those with singing,music,instrumental music,and playing,rap,and other forms of large real estate substances for the carrier,in the Tibetan region is given priority to with Kou Chuan Xin Shou form in people daily life and inherit and spread contains rhythm,pitch,melody,lyrics,sound carrier(instrumental or vocal music)of historic cultural heritage.As an important part of the Tibetan intangible cultural heritage,the Tibetan musical art is an important witness to the history of the Tibetan and an important carrier of the Tibetan culture.However,in recent years,with the changes of history and culture,the protection and development of Tibetan musical cultural heritage has been greatly impacted,and the cultural heritage of Tibetan music has been slowly lost.For Tibetan music cultural heritage protection and development is the top priority,not only is an important task of intangible cultural heritage,this article tries to Tibet region music cultural heritage as the research subject,under the overall concept of culture,a comprehensive discussion to advocate non-material cultural heritage protection cases,Tibetan music cultural heritage protection and development are faced with the problem.This paper mainly includes the following parts: the first part: first,this paper introduces the reason and significance of writing,and from the domestic and foreign research status to distinguish and analyze the "music culture",followed by the "music cultural heritage" and "Tibetan music cultural heritage" to explain.The second part mainly introduces the origin and formation of Tibetan music.Including from the time of this religion to the situation of Tibetan music after the introduction of Buddhism;The origin and formation of Tibetan music spectrum are obtained through the records of literature and the research and analysis of predecessors.The third part mainly classifies Tibetan musical culture from the perspective of the origin and formation of Tibetan music and the types and functions of Tibetan musical cultural heritage,and analyzes the tonality of musical forms according to different types of music.In the analysis results,the musical characteristics of Tibetan musical cultural heritage are summarized.The fourth part,from several aspects such as drama music,rap music,folk songs and instrumental music,presents the Tibetan music in an all-round way and introduces each kind in detail.The fifth part: from the structural characteristics of Tibetan music classification,namely: song and dance mode,music and dance mode and drama mode,and each kind of characteristics are presented.The sixth part: from the two perspectives of the preservation and arrangement of traditional materials and the performance of contemporary musical works,the protection and development of Tibetan musical cultural heritage are comprehensively and deeply discussed,including the classification and characteristic analysis of traditional musical scores and the arrangement and study of Tibetan musical cultural heritage.Through the interview form,understand the development trend of Tibetan music culture.The seventh part: mainly from the characteristics of the development of Tibetan music culture to explore the new China's training of composers and their works,mainly including the national training of professional talents,the reform and opening up of self-taught composers and their works,music competition and the development of musicians,music market economy.Part 8: passing This paper analyzes the protection of Tibetan music and intangible cultural heritage and the construction of Tibetan music and harmonious society to expound the cultural value and significance of Tibetan music.These include the status and role of musical cultural heritage in the intangible cultural heritage of Tibet,the significance of musical cultural heritage in the daily life of the Tibetan people,the core socialist value of the use of music dissemination,the importance of music for the Tibetan people to listen to music and the popularization of the Tibetan national anthem.The ninth part,the conclusion part,in this part from the development of the advantages and ways of several aspects of the development of Tibetan music cultural heritage protection and development.In this paper,the preservation and development of Tibetan musical cultural heritage are studied by using recorded materials and a large number of references.However,due to the lack of my own ability and insufficient data collection,the research depth of this topic is not enough,and the problems pointed out in the protection and development need to be tested in practice.Moreover,due to the extensive coverage of Tibetan music and the complex issues involved,the length of this paper,the author's research time and theoretical level are limited,many issues raised inevitably have omissions.In the future,the author will still maintain the initialenthusiasm and belief,through the practice of testing,constantly revise,improve their theory.