The Study Of The Pinghua Of Yuan Dynasty Print In The Sight Of Chinese Traditional Speaking

Chinese traditional speech art has a long history.Myths and legends pre-Qin word-of-mouth have emerged as storytelling factors,Pre-Qin Yiyou rap gave birth to the earliest art of speaking.In the offspring,Hou Bai of the Sui Dynasty "can say a good word",The Tang court and the folk had frequent speaking activities.Not only the number of speakers,but also special guilds,book fairs,and Golanwasher special performance venues for speech art activities.The art of speech in the Song Dynasty flourished and flourished,by the Yuan Dynasty,a leap from verbal to written.The research topic of this article is the research on Yuanping plain speaking from the perspective of traditional Chinese speaking.Yuankan Pinghua appeared in the Yuan Dynasty,It is not only a representative of popular literature in the Yuan Dynasty,but also an important link between it and others.It is also a reflection of the prosperity of traditional Chinese speaking art,The subject reflects the dual values of literature and art.This article puts the Yuankan plain speaking in the sight of traditional speaking,This is a new research perspective,I hope that based on the research of senior scholars,we can have a deeper understanding of Yuankan Pinghua from a new perspective.The Yuan magazine Pinghua referred to in this article mainly refers to the five journals of Quanxiang Pinghua,Nothing else is involved.The Yuan issue "Five Kinds of Pinghua Dialects" refers to the Shi Pinghua which was published by the Jian’s booksellers of Yuan Dynasty in the Yuan to Zhinian period.It is a collective name for the five kinds of Pinyin,including: "New Issue Quanxiangpinghua Le Yi Tuqi Seven Kingdoms Spring and Autumn" "New Issue Quanxiangpinghua Pre-Han Book Sequel" "New Issue Quanxiangpinghua Three Kingdoms" "New Issue Quanxiang Qin Dynasty and Six Kingdoms Pinghua".Each of these idiom works is divided into upper,middle and lower three volumes.Except for cover illustrations,the upper third of each page of the text is an image,and the lower two thirds are text.This is a combination of images and text.Speaking of Shi Pinghua is called "Quanxiangpinghua".The thesis consists of six chapters.In the narrative process,the abbreviations of Yuankan Pinghua works are used,from the definition of the concepts of Pinghua;traditional speaking to the writing of Pinghua;Inner aesthetic characteristics;the six aspects of the influence of Yuanping Pinghua on later generations are discussed.The first chapter of the thesis is the definition of plain speaking.The word Pinghua first appeared as a dialect.It is a kind of Guangxi dialect,with its specific historical background.It is a dialect form in the history where population movement and locallanguages merge.There is also a dialect called Pinghua in the eastern Fujian area.From the perspective of linguistics,the Pinghua dialect and the text of the Pinghua published in the Yuan Dynasty do not seem to be related.In fact,there is a certain connection between the two.The word plain is different from the narrative,and is different from other rap texts of the era."Pinghua" and "commentary" were mixed for a while,but they are different concepts.Through a comparative analysis,the paper points out that Yuankanpinghua is a popular literary work written in the vernacular at that time printed in the Yuan Dynasty.Important manifestation.The second chapter of the dissertation discusses from the traditional speech to the writing of the plain journal.Traditional speaking has gone through a long development process.The excavation of the drum rap figurines has become an important material in the history of the development of traditional speaking art.Traditional speaking flourished in the Song Dynasty,and there were several speakers.The prosperity and development of the speaking in the Song Dynasty directly promoted the writing of the Yuan Dynasty.In the Yuan Dynasty’s peculiar social and cultural background,Yuankan Pinghua imitated the characteristics of speaker phrases,performance methods,and live performances.At the same time,it relied on historical books,borrowed from folklore and contemporary Yuan dramas.The third chapter of the dissertation deals with the issues related to the narrative of the plain journal.As a representative of popular novels in the Yuan Dynasty,Pinghua Yuanhua’s narrative has distinctive features.Yuankan Pinghua uses a sequence-connected linear narrative structure.It connects series of storylines around the main characters.From the perspective of historical omniscient narrative,it starts from large time and space narrative and is longer than pre-narrative.Fu texts present the characteristics of poetic narrative discourse.Yuankan Pinghua does not take Confucian orthodoxy as the standard.It starts from the aesthetic needs of ordinary people,embodies folk religious thoughts,describes civilian heroes,and has a strong folk literature.The fourth chapter of the dissertation discusses the external expressions of the plain language.Yuankan Pinghua adopts the "full-phase" mode,with pictures and texts,popular language,and simplified text,which is no different from the vernacular of the citizen class.This simple and intuitive form will have more readers,making the reading process of the general public easy and happy,and common readers Very attractive.Pinghua works are densely spaced,without punctuation and sentence breaks,which is unavoidable to read.The inscriptions on the inscriptions are very eye-catching for readers,allowing readers to see the contents or page numbers of inscriptions at a glance.The fifth chapter of the dissertation discusses the inherent aesthetic characteristics ofthe plain language.Yuankan Pinghua has inherited the characteristics of smooth,natural,simple,vivid,and good at performing traditional oral performances.The fictional story has a lively and lovely folk atmosphere,showing the aesthetic characteristics of being true and strange,being vulgar,and being straightforward.Yuankan’s plain words are basically based on historical facts,and they are more fictional on the basis of reality;they are good at making wonders,satisfying the ordinary readers’ psychology of hunting,and pursuing the vulgar atmosphere of character descriptions;plain words highlight the main line,tell the story with bold lines,free and bold,Express the author’s evaluation of the characters in a straightforward manner,reflect the opinions of the people,be easy to understand,and retain the original form of the popular novel in the initial period.The sixth chapter of the dissertation discusses the influence of Yuanping Pinghua on later generations.Yuankan Pinghua is an important link in the development of traditional speech art and popular literature.It plays an important role in linking up and down,and has dual values of literature and art.Yuankan Pinghua inherits traditional speech,which not only promotes the resurgence of the art of "commentary storytelling" and "commentary storytelling" in later generations,but also has an important influence on the chapter-back novels of the Ming Dynasty.Yuankan Pinghua works provided the premise for the content of the story and the overall framework of Zhang Huiti’s novels.Zhang Huiti’s novels inherited many features of Yuankan’s Pinghua,and also undergone major reforms.representative.Through a comparative analysis of "The Romance of the Three Kingdoms" and "The Romance of the Three Kingdoms","The King of Wu Kingdom’s Pinghua" and "The Romance of Fengshen",it can be concluded that Zhang Huiti’s novel directly inherits the Yuan Dynasty’s plain language,which is exactly the early period of the Yuan Dynasty’s flat language works.Only through the exploration and practice of creation did the great success of Zhang Huiti’s novels later.Generally speaking,the Yuankan Plain Dialogue inherits the traditional Chinese speaking art.It is a leap from traditional speaking to oral history to written history.The sign of the completion of this leap is plain speaking.The Yuan people used pens to record oral storytelling stories and groundbreakingly compiled novels for publication,which opened a new page in Chinese popular novels.Yuankan Pinghua represents the first documentary prosperous period in the history of Chinese popular novels.Examining Yuankan Pinghua from the perspective of the development of traditional Chinese speaking can not only clarify the development of traditional speaking,but also clearly see the pioneering period.The Yuankan flat manuscript,its book-making process,manifestation,and aesthetic characteristics have a very important influence on the later chapter Zhanghua novels.The Yuan Kanping manga directly promoted the emergence and overall prosperityof later chapter Zhanghua novels.