Research On Zhang Chengzhi's Spiritual Spectru

This article is based on Zhang Chengzhi’s four spiritual resources about“classical spirit”,“Lu Xun Apirit”,“Exotic cultures represented by Japanese culture and Spanish culture”,"the representative of different region to prosper merimee character"etc.As the main basis,we take the adjustment of spirit and thought represented by Zhang Chengzhi’s two novels adapted from“Golden pasture”and“History of mind”as example to investigate Zhang Chengzhi’s entry into the literary world from 1978 to present.The world has more than 40 years of continuous creation in pedigree of his spiritual evolution and ideological transformation.In the early years Zhang Chengzhi’s（mainly referring to time between 1980s and1990s）,the main problem he faced was“self-identification”,and the corresponding problem was how people should live.The second stage mainly refers to the beginning of the 21^st century.The main consideration is to“perfect oneself”and how to deal with the outside world.This can be expanded from“people”to a group or country.Zhang Chengzhi’s 40-year-old creations and thoughts are closely related to the reality of China,laying the groundwork and decoding for his own spirit and thoughts.At the same time,his creations clearly carry the codes of the times and culture.Zhang Chengzhi’s point is similar to the relationship between Lu Xun and modern Chinese literature and the social reality at the same time.They are all“time writers”.First of all,Zhang Chengzhi’s creations is inseparable from contemporary Chinese literary trends and thought（History）.Of course,this correlation has both a co-production period and an alienation period.He is inherently related to the“injures literature”and“root-seeking literature”of the 1980s,but there are essential differences.Secondly,the“humanistic spirit discussion”in the 1990s and Zhang Chengzhi’s“Anti-japanese war lliterature”in the 1990s had a“consistent appearance”.From 1993to 1994,Zhang Chengzhi successively published several essays such as“Using the Pen as the Banner”,“The Thought of No Help”,“Desolate Hero Road”,Clean Spirit,etc.,criticizing intellectuals’mental atrophy with fierce words.Screamed for the hegemonic threat of new imperialism,and put forward the slogan“Anti Japanese war literature”.At that time,he was“persecuted delusion”and similar ridicule.However,since the 21st century,"Zhang Chengzhi in the 90s"has been mentioned again,and a series of his essays have been reinterpreted,which seems to herald the connection with the current international situation and cultural status quo.And this is just one example,there are many such dislocations in Zhang Chengzhi’s research.In the 21st century,Zhang Chengzhi examines the international cultural situation from a new international perspective,looking for a"third world cultural position"prompted by the global unequal structure,and trying to activate"revolutionary resources."In the post-Cold War context,readjust the position of China’s"Third World"and the cultural position of resisting capital logic.The change process of Zhang Chengzhi’s spirit and thought has the characteristics of consistent and continuous,which present its context on the major issues,and it has not been interrupted for decades.Of course,there are also small corrections and sublations in these contexts.In general,he insisted on his beliefs based on reality.He has encountered various questions,such as his attitude towards revolution,but as time has passed,critics have reviewed his"prophetic"remarks in the 1990s and reinterpreted him.In this unprecedentedly diverse 21st century cultural environment,Zhang Chengzhi builds his own spiritual and ideological space with his cultural beliefs.Although there are inevitably biases,he can inspire us when looking at Chinese culture and global culture.