Ming Dansty Blue & White Porcelain Art Style Research

Art fashion refers to people’s temporary worship of a certain object or fashion style in a specific historical period.It is an aesthetic ideology that expresses the thoughts and emotions of human creators in a certain artistic form or carrier.The evolution of fashion played a cultural guiding role in the production and development of the blue and white porcelain in the Ming Dynasty.The blue and white porcelain changed from its early practical function to its later function of collection and appreciation of utensils,which became an important content and reference coordinate of the evolution of the blue and white porcelain art fashion.Based on the evolution of Ming dynasty blue and white porcelain art style as the breakthrough point,by analyzing the changes of the social history and culture of Ming dynasty,in jingdezhen imperial ware factory(1369-1643),the production of blue and white porcelain as the main investigation object,to pursuit of blue and white porcelain art fashion evolution of writer’s block,the skill,decorative pattern,the change characteristics of mining blue and white porcelain wares culture shows the art of fashion concept connotation and spirit value.Full production development of jingdezhen blue and white porcelain of the Ming dynasty as the main historical background,from the Angle of design,adopting the research methods of history,art,philology,aesthetics,from thought,culture,shape and decorative pattern,the change of the respect such as technology characteristics of teasing out the evolution of the Ming dynasty blue and white porcelain art fashion on people’s ideas,the pursuit of the subtle influence.In this paper,more than 600 relevant records of Ming dynasty blue and white porcelain in historical documents of Ming and Qing Dynasties are combed.the firing history and production process of blue and white porcelain in imperial ware factory of Ming Dynasty are effectively restored,and the development trend and popular aesthetic trend of blue and white porcelain in each historical period can be reflected by the progress of society and the improvement of technology.Classification comparison method is used to the popular pattern of each dynasty and implements modelling to conclude,in the form of hand-painted reduction legend research grain behind the social pop culture and the aesthetic demand of era,to explore how to cater to the imperial porcelain of Ming dynasty painter’s aesthetic preferences and create the popular style of special features,popular style and how to lead constantly innovate on the basis of inheriting the traditional blue and white porcelain.By means of field investigation and museum investigation,the social functions of blue and white porcelain in different periods are understood.Through the interpretation and analysis of typical blue and white porcelain in each period,the significance of existence,expression and popularity in the evolution of fashion in the important historical period of Ming Dynasty is revealed.This paper mainly discusses the evolution of blue and white porcelain art fashion from four dimensions.First,it investigates the cultural and historical form of blue and white porcelain art fashion.The second is to analyze the ideological structure system of art fashion culture;The third is to summarize the change characteristics of the shape and decoration of blue and white porcelain;Fourthly,the artistic value system of blue and white porcelain fashion view is translated from three aspects: artistic view,aesthetic view and social view.Among them,cultural thought is the root of the evolution of fashion,the early emphasis on the constraint of human thought by Neo-Confucianism and the regulation of the feudal ritual system on the production of blue and white porcelain.In the middle and late period,with the prosperity of Yangming’s philosophy of "nothing outside the mind" and "unreasonable outside the mind",people paid more attention to the state of human life and turned to the spiritual pursuit of individual inner world.And the spiritual infiltration of the late practical thought The evolution of blue and white porcelain art fashion plays a key role in promoting.On the one hand,the paper systematically sorts out and analyzes the diversity and richness of the development and evolution of the types and patterns of blue and white porcelain,and discusses the influence of the social culture of Ming Dynasty on the aesthetic aesthetic of the artistic fashion of blue and white porcelain,as well as the practical demands of different social strata on the blue and white porcelain.On the other hand,the imperial ruling class of the Ming Dynasty attached great importance to the production of official kilns in Jingdezhen Imperial Armorware Factory,and specially issued official samples for firing according to the demand of palace porcelain.Therefore,the artistic fashion views of blue and white porcelain reflected in the changes of different historical dynasties were also different.With the development of The Times,the social relationship between artistic fashion and aesthetic appreciation of utensils,which can be both independent and interdependent,is gradually clarified,bringing a new way of thinking and cultural enlightenment to the development of blue and white porcelain in the Qing Dynasty and later generations.The evolution of the artistic fashion of blue and white porcelain in the Ming Dynasty is the evolution of the traditional culture under the background of The Times.With the change characteristics of the shape and decoration as the guide,the paper uses the change of artistic form and decorative language to explain the super rational understanding of the aesthetic,fashion and art view in the Ming Dynasty society.Through the cross-disciplinary,multi-angle and all-dimensional classified thinking on the evolution of the blue and white porcelain art fashion,we can see the prosperity and development of the whole porcelain industry system under the rise and fall of the imperial power in the Ming Dynasty,which plays a positive role in promoting the inheritance and innovation of the development of Chinese and even the world ceramic art.