A Study Of Guo Qihong’s Drama

This paper takes Guo Qihongs dramatic works as the research object.Among the playwrights in the new era of China,Guo Qihong is "a talented,learned and knowledgeable person",known as a "poet" playwright in the field of drama.He can not only control the creation of drama texts well,but also write excellent drama texts.He is one of the top two Kunqu Playwrights in China.He left traces of Feihong in both drama and opera,and left his masterpieces.His cultural structure is very comprehensive,and he is also a drama theorist with solid foundation.His theory of vivid history and drama has valuable reference value for the creation of contemporary Chinese historical drama.To a certain extent,he can represent the historical summary of the development of Chinese drama literature in the past 40 years in the new era.Guo Qihong should have an important place in the history of contemporary drama.This paper makes an overall study and summary of Guo Qihongs drama,covering his drama works,drama works and drama theory.This paper is divided into five parts.The introduction part states the object of study,the reason of topic selection and academic value,summarizes the current research status and existing problems,and expounds the research ideas and innovations.In the first chapter,those who know me call me worried,and those who dont know me call me what I want.This chapter extracts the motif of "unjust imprisonment" and"Redemption" in Guo Qihongs works,expounds the image of knowledge fenzi who always faces the situation of "unjust imprisonment",or is imprisoned or exiled because of"unjust imprisonment",and explores Guo Qihongs life experience and drama creation behind "unjust imprisonment" and "Redemption" The relationship between them,combined with his life,shows the theme of his works.This paper expounds Guo Qihongs dramatic literature in the relationship between elite literature,enlightenment and modernity,and analyzes Guo Qihongs writing posture of elite literature.Guo Qihongs dramatic creation reflects his reflection on the cultural revolution and the new enlightenment in the new period.The change of his writing posture in different periods reflects his thinking of enlightenment and "Modernity".He tries to explore the larger Chinese traditional culture and cultural psychological structure behind the elite literature,adhere to the aesthetic foundation of traditional classics,adhere to the ultimate concern of spirit and soul,and express the spiritual reconstruction of Chinese literati and intellectuals with drama creation.In the search and questioning of spirit and soul by him and his intellectuals,Guo Qihong shows the struggling track of ancient and modern intellectuals,expresses peoples tolerance of suffering in the historical context,reflects their soul shaking posture of defending their beliefs in the isolated situation,and achieves success in human nature in repeated failures The essence of existence of man and even intellectuals reveals the irreversible harm of the times and environment to human nature.In the process of resisting absurdity,he and his intellectuals return to the stars and the sea of the inner spiritual world.The second chapter,respecting tradition and seeking new changes--Guo Qihong and the possibility of contemporary Kunqu Opera.This chapter discusses Guo Qihongs Kun Opera Creation.Guo Qihong is a representative contemporary dramatist.His works are of high quality and abundant output,which can not be matched by ordinary dramatists.Especially in the field of Kunqu Opera,he is a landmark.His literary creation of "new Kunqu Opera" is highly artistic and representative.In this chapter,first of all,through the analysis of three new Kunqu operas with milestone significance since the founding of new China,the history and current situation of "new Kunqu Opera" are summarized,and the Kunqu Opera of "new Kunqu Opera" is analyzed.Among them,the lack of Kunqu opera writers is an important factor affecting the development of new Kunqu Opera.Then it combs Guo Qihongs Kunqu creation process,summarizes Guo Qihongs Kunqu creati on by "respecting tradition and seeking innovation".On the one hand,it analyzes Guo Qihongs pursuit of classicalization in his Kunqu opera creation from three aspects:the beauty of lyricism,the essence of structure,and the beauty of words;on the other hand,it analyzes the modernity of Guo Qihongs Kunqu opera works,focusing on the observation and compassion of the ancient and modern human feelings,and the development of the aesthetic implication of "the multiplication of sadness and joy" in Kunqu Opera,and probes into the aesthetic connotation of Guo Qihongs Kunqu opera literature The spirit of creation and the light of humanity.In addition,the theory of "symptom interpretation" is used to explore the intention and voice of the playwright hidden in his works.The third chapter,the sigh of soul,the feeling of life--Guo Qihongs drama "Chinese literati Quartet".This chapter discusses Guo Qihongs drama creation.Guo Qihong is keen on writing about Chinese literati,which is his reflection on Chinese culture.This chapter first analyzes the theme meaning of Guo Qihongs representative drama "Chinese literati Quartet",and then discusses the Chinese literatis Qu and Zhi under the burden of Confucian cultural spirit,the pursuit and inquiry of the intellectuals life value,and the reflection on the spiritual reconstruction of literati(intellectuals).Then it focuses on the creative technique of the combination of virtual and real,the situation setting of the blending of real and unreal,and the creation of the spiritual reconstruction of literati(intellectuals)Finally,from the aspects of poetic language and emotion,poetic characters and images,poetic artistic conception and philosophy,this paper analyzes the poetic feelings of "Chinese literati Quartet".The fourth chapter focuses on Guo Qihongs holistic view of drama.This chapter discusses Guo Qihongs drama theory.Guo Qihongs writing does not simply stay in the intuitive creation of history or life.He has his own view of drama writing.He is not only a playwright,but also a drama theorist.Behind his practice of drama creation is his overall thinking of the world,history,life and creation itself,which is the theoretical support of careful consideration.He is one of the few playwrights who consciously pursue the holistic view of drama,which is rare among contemporary playwrights.In this chapter,the author analyzes the drama theories,such as the theory of historical drama,the concept of creative circulation and the sense of stage,from three parts:the mutual support of creation and theory,the free circulation of drama integration and cultural infiltration,and the complementary of drama literature and stage performance.