Research On The Chinese New Year Paintings Of Tongyu

Tongyu County is located in the western region of Jilin Province and is one of the "Modern Painting and Painting Township in China".Tongyu New Year Painting is a representative art business card of Tongyu Painting Township.In the early 1960 s,under the influence of the "New Year Painting Movement" across the country,Liu Changen,An Xuegui,Zhu Jiaan,Liu Qingtao,Gu Xuezhong and other Tongyu local painters spontaneously integrated into the national wave of new year painting creation.Facing the changes in the country’s changes in the country and the lives of the western Grassland of Jilin have been loved by the people of the general public.At the same time,it has also attracted the attention and recognition of professional art workers.The Tongyu New Year painting has gradually become a well-known civilian northern art category in the Northeast and the country.From the beginning,Tongyu New Year’s art practice has always worshiped the ideal typical typical of their creation in real life.At the same time,it did not cut off its daily life as the people’s annual paintings and folk New Year paintings.At the New Year’s Day,the practical folk art of folk customs and ritual supplies.Obviously,the Tongyu New Year painting shows a comprehensive form that spans professional and folk art at the same time.Its roots are in the northeast,facing the general people,but the spiritual essence originated from socialist literature.In essence,the Tongyu New Year painting is a literary form that is compatible with the New China literary and artistic policy and the Northeast local regime.This is a significant point that distinguishes various spontaneous folk literature and art in the past.This article is intended to use a doctoral dissertation as a carrier,with historical facts as the starting point and focus,focusing on the field of folk literature and art,and systematically sorting out the previous fragmented folk literature and art as a phenomenon.First,the analysis method of art sociology is used to set the Tongyu New Year painting as an artistic phenomenon in the background of history,and then try to break through the thinking format of the artistic appearance from the work to the work itself in the previous research.Combining the two clues of internal history with foreign history to explore the internal and foreign interaction relationships and mechanisms of artistic appearance in the process of artistic practice.Based on the analysis of the previous artistic origin of Tongyu New Year’s art,the New Territories,which proposed the "Comprehensive Origin of Tongyu New Year Painting".Second,from the process of artistic practice and creative process of Tongyu New Year’s art,through the use of basic historical materials,it reproduces the past and present life of its art.Third,this article attempts to analyze the artistic creation process of Tongyu New Year’s painting from a micro perspective.From the actual starting point of "micro of the work" and the art of "creators" Creative process and historical flow.Then,for the first time,the content of the image of the New Year’s painting was split into the analysis of the grades of the image semantic semantic relationship between the "behavioral image,the image of the image,and the compassion of the objective,and the compassion of the object.For the first time,the new application of the "edge of light" of Tongyu New Year painting;the first time the Tongyu New Year painting is proposed to return to the palace composition method.Fourth,this article can realize the above three explanations.Thanks to the innate advantages of basic historical materials,because the author’s grandfather is Liu Qingtao,an old-generation painter of Tongyu New Year,and left a variety of original historical materials such as manuscripts and letters that have not been disclosed in the past.And the author obtained a lot of specific and real oral materials,images and historical materials in the long-term exchanges of Tongyu New Year painting creators and their families.The original historical materials of the Tongyu New Year painting that were publicly used for the first time not only made the study of social history,micro history research,and processing research in this article,but also made this study transform theoretical connection of theoretical connection from the theoretical methodology level.Research results.Then re-painted the rich aspects of Tongyu New Year’s art,revealing the significance of its civilian aesthetic inspiration and regional cultural inheritance.In addition,these original materials provided the index of basic historical materials for the follow-up research of the academic circles.