The Support And Source Of Art Skills From The Perspective Of Perspective Development

The full text will deeply study and discuss the emergence and development of the perspective principle,and its influence on the whole art history.The whole process of the history of painting art is the process in which perspective gradually develops from skill to core aesthetics and even to philosophical category.With the continuous progress of artistic ideas,the combing of art history,the construction of perspective theory discourse,the relationship between perspective artistic ideas and technology,the change of perspective artistic style,and the influence of perspective on cross-cultural disciplines show that perspective has gradually risen to the level of art in basic theoretical research.Height,and increasingly covers all artistic creation related to visual arts.The full text is divided into five chapters.The main contents are as follows:The first chapter,the introduction part mainly from the subject research purpose and significance,the topic research present situation and the research mentality,the topic research method and the way,the topic research innovation and so on aspects launches the paper writing mentality and the frame.In the second chapter,the author discusses the germination of the perspective concept in the early art creation era and the artistic shock of the primitive art creation without any artistic concepts.And focus on the perspective of the concept from scratch,from the most simple painting techniques in primitive life to consciously begin to use the eyes and brushes to express the spatial meaning of the object.The early perspective of primitive art has led to the initial progress and change of human art.Perspective has always existed as a technique,while as a concept it is a history of formation and contention of art aesthetics and art philosophy.Chapter three discusses the Renaissance’s representative expression of Vinci as a variety of artists and scientists to re-examine and resolve the role of perspective in painting and aesthetic significance,as well as the genius of the group of artists represented by him to show innovation and innovation under the worship crisis.Chapter Four discusses the role of perspective in the artists and artistic trends after the Renaissance,which has been gradually promoted to the height of artistic concepts.The use of perspective has become a criterion for choosing between the content of expression and the simplicity of techniques required by artists in their artistic creation.On this basis,four new perspectives,namely,form and color perspective,free perspective,illusion perspective and concept perspective,are summarized and put forward.Especially,Duchamp’s conceptual perspective grasped the core of the concept of perspective,promoted the post-war more intuitive art categories such as behavioral art,and renewed and expanded the open system of the concept of perspective.The fifth chapter,with a peaceful,objective and comprehensive attitude,interprets the elements of perspective concepts of Chinese and Western painting,studies the impact of Western perspective on contemporary Chinese artists,and the value and significance of promoting the healthy development of Chinese art.This is a very valuable research field of art.In this sense,it summarizes the perfection and development of perspective concept in the East and West art creation,and provides a more open and free intellectual model framework for better exploration of perspective concept.In the conclusion part,perspective concept will be the core idea of painting,and will continue to be the unlimited possibility of expression in its own open system to guide artistic creation.The innovation of the full text lies in the meaningful research and Discussion on the support and source of perspective art skills from the perspective of the development and application of ideas since the Renaissance.On the basis of daily perspective teaching,combined with art introduction and painting course,this paper makes a clear comb of the whole development track and the inner conceptual framework of perspective theory.It also makes the first theoretical research and collation on the influence of perspective concept to contemporary painting and other art types.And on this basis,the perspective concept rises to the theoretical disciplines of art,the possibility of groundbreaking re-study.Perspective is not only a technical problem that people usually think of,but also an important embodiment of the true content of human psychology and an important part of the mode of thinking.This paper summarizes and puts forward new perspectives such as various perspectives,free perspectives,illusory perspectives and conceptual perspectives,which will serve as a guide for future perspective studies.