The Study On Li Zehou’s Aesthetic Innovation Thinking Path

The choice of the study on Li Zehou’s aesthetic innovation thinking path is based on two considerations.First,Li Zehou’s aesthetic is concerned about the fate of human beings,it advocates shaping the people who can enjoy the modern daily life freely,therefore,the study of Li Zehou’s aesthetics is of practical significance to solve the difficult problem of how to make a living.Second,Li Zehou intentionally concealed the thinking path of aesthetic innovation,it caused great difficulties to the interpretation of Li Zehou’s aesthetics,therefore,the study of his thinking path is of certain academic significance for promoting the study of Li Zehou’s aesthetics.Li Zehou’s thinking path of aesthetic innovation includes two aspects: internal thought and external process.In terms of internal thinking,start with aesthetics,explore the way of human history development,based on Chinese culture,it is rooted in Marxist philosophy which is deeply rooted in Chinese culture,the western philosophy which takes Kant philosophy as the core is grafted into the branches and leaves,it integrates traditional Chinese Marxist philosophy and western philosophy,from this,a new philosophy of anthropological historical ontology is created.This is Li Zehou’s aesthetic innovation idea of connecting Chinese tradition and Western philosophy and Marx.In terms of the external process of thought development,Li Zehou’s aesthetic innovation can be divided into three stages.The first stage is the initial stage of Li Zehou’s aesthetics.The beginning of Li Zehou’s aesthetics includes three important steps: germination,foundation and molding.In 1955,to participate in the discussion of the people’s nature in classical literature,Li Zehou proposed the solution of replacing class nature with aesthetic nature.It persuasively solved the problem of the recognition of classical literature works and writers.Li Zehou became famous overnight.This is the germination of Li Zehou’s aesthetic.On December 1956,to Participate in the great discussion of aesthetic,Li Zehou obtained the basic views of aesthetics.Li Zehou published his Collection Outside the Door.This is the foundation of Li Zehou’s aesthetic.After Collection Outside the Door,Li Zehou made a conscious study of various fundamental problems in the field of aesthetics and systematically constructed aesthetics.Li Zehou collected the research results and published them as Essays on Aesthetics.Essays on Aesthetics is a late mark of the completion of Li Zehou’s esthetics.Essays on Aesthetics consist of two main parts: aesthetic Principles and aesthetic criticism.This is the molding of Li Zehou’s aesthetics.The second stage is the deepening stage of Li Zehou’s aesthetics.The way to deepen is to carry on the tradition of Chinese and Western aesthetics.The result of deepening is that Li Zehou’s aesthetics is deeply rooted in Chinese and Western aesthetic traditions.The three important steps of inheriting the tradition of western philosophy and aesthetics are to develop Marx,transform Kant and digest modern western philosophy.The Outline of Human Origin and the Outline of the Accumulation Theory are the prologue to the second stage.The outline of human origin developed practice into instrumental ontology.The Outline of the Accumulation Theory finded a way of historical accumulation to reconcile the dispute between materialism and idealism.Tool noumenon is the theoretical starting point of new philosophy,accumulation is the center of the circle of new philosophy,and the combination of tool noumenon and accumulation is the embryonic form of new philosophy.From 1964 to 1970,there is an overall design phase of the new philosophy that has not yet been noticed.Li Zehou’s architecture of philosophy: work form attaches importance to outline;the architecture of his works is based on the method of breaking up parts as Lu Xun’s essays and Hegel’s circle technique.The enormous and complex task of creating a new philosophy is broken down into a progressive process of ideas that will eventually accumulate and form a new philosophy.The innovative method is to express a certain philosophical point by studying the history of philosophy or some philosophers in history.A New Approach to Kant is the foundation work of new philosophy.The thinking path of the book is from Marx to Kant,using the formal structure of commentaries to achieve the writing intention of creating a new philosophy by criticizing the western philosophy with Kant as the core.The transformation of Kant’s aesthetics is the focus of Li Zehou’s new philosophy.The renovation is divided into four levels.One is to elevate the status of aesthetics in philosophy.It elevates aesthetics from an intermediate link in the field of cognition and ethics to an ontology higher than the field of cognition and ethics.The other is to integrate Skopostheology into aesthetics,which elevates aesthetics from artistic principle to fundamental philosophy and history.The third is the transformation of the specific content of Kant’s aesthetics: sorting out Kant’s aesthetics and inheriting Kant’s aesthetic heritage.The fourth is to comment on Schiller and Hegel’s critical development of Kant’s aesthetic gains and losses.On this basis,it combines Marx and Kant in the field of aesthetics,and transforms Kant’s transcendental philosophy aesthetics into practical philosophy aesthetics with practical viewpoint.After returning to Kant,Li Zehou took another important step forward in aesthetic innovation.Kant’s Philosophy and the Philosophy of Establishing Subjectivity put forward the subjectivity philosophy of studying human nature subjectivity.The subjectivity of human nature includes three aspects.The aspect of epistemology includes the intellectual structure formed by the internalization of rationality,free intuitive mathematical logic and so on.Ethics includes the structure of the will formed by rational cohesion,the contingency of the free will and so on.The aesthetic aspect includes the aesthetic structure formed by the rational accumulation and the free feeling of the noumological realm.The revised of A New Approach to Kant added subjectivity philosophy,formed the 1984 revision edition.The combination of practical philosophy and subjective philosophy becomes the philosophy of practical subjectivity.The aesthetics of practical philosophy also develops into the aesthetics of subjective practical philosophy.This is the second step in the transformation of Kant.After the transformation of Kant,the path of thought proceeded towards the assimilation of western modern philosophy.The supplementary note on subjectivity protrudes the individual on the basis of the group.The Third Outline of Subjectivity and the Fourth Outline critic philosophy language,oposed the psychological emotion noumenon.Digestion of Heidegger with Psychological emotion noumenon.In the second stage,Li Zehou’s inheriting of the western philosophical aesthetic tradition and the Chinese aesthetic tradition goes hand in hand.The two steps of inheriting the Chinese aesthetic tradition are to systematize the Chinese classical literature and art and structure the Chinese traditional aesthetic consciousness.The Course of Beauty is intended to systematize Chinese classical literature and art.The method is to make aesthetic criticism of Chinese classical literature and art,sketch out the changes in aesthetic taste,so that the scattered Chinese classical literature and art can be systematized.The Course of Beauty established the aesthetic culture base for Li Zehou’s aesthetics.The intention of the History of Chinese Aesthetics is to organize the historical data of Chinese ancient aesthetics on the basis of the hidden Chinese traditional aesthetic consciousness.The History of Chinese Aesthetics explore and reconstruct the Chinese traditional aesthetic psychology.This is the inheritance and innovation of Chinese traditional aesthetic psychology.The History of Chinese Aesthetics established the aesthetic psychological base for Li Zehou’s aesthetic.The third stage is the completion stage of Li Zehou’s aesthetics.In the third stage,Li Zehou’s aesthetics is further perfected and completed on the basis of inheriting the Chinese and Western aesthetic traditions.Li Zehou’s aesthetics includes many fields.It can be divided into philosophical aesthetics,historical aesthetics,scientific aesthetics.In the aspect of philosophy and aesthetics,Li Zehou’s innovation is the new philosophy.The aesthetics of anthropological historical ontology includes beauty and aesthetics.Li Zehou divided beauty and aesthetic feeling into two parts.Beauty is the ability to shape,aesthetic feeling is inner aesthetic psychology.The essential root of beauty is the humanization of external nature,the essential root of aesthetic feeling is the humanization of inherent nature.Beauty is a form of freedom,aesthetic feeling is aesthetic ability,psychosocial noumenon.Li Zehou’s psychological aesthetics is neither the aesthetics of philosophical psychology.It’s not the aesthetics of scientific psychology.It is the psychological aesthetics at the level of phenomenon description.It is the intermediate link from philosophy to science.The aesthetic psychological process includes the preparation stage,the realization stage and the achievement stage.The structure of aesthetic psychology is the four elements of perception,understanding,imagination and emotion.Aesthetic ability is divided into three forms:joy of ear and eye,joy of heart and mind,joy of god.Art is neither philosophy of art nor sociology of art.It is the art of aesthetics.In its historical origin,the purpose of art is religious or ethical rather than aesthetic.Li Zehou clearly pointed to the aesthetic purpose of art.Therefore,what is discussed in the Four Essays of Aesthetics is the question of how art contributes to aesthetics of art.This discussion forms the general aesthetic principle of Li Zehou’s art.Li Zehou discusses the general aesthetic principles of the artistic form layer,the image layer and the meaning layer.