Research On Han Meilin’s Style Ontology Under The Mechanism Of "Order And Hybridity"

This study summarizes the ontological cognition of artistic style as "artist’s life ontology",which refers to an abstract structure slowly formed by the artist’s subject in contact with real events,which constitutes a comparative relationship with social reality.Moreover,it has formed the "consensus" of the "blending" of style,which has brought about the "mixing" of life style.For artists themselves,they not only carry out artistic practice on the basis of a style "order",but also determine the final appearance of their own style through creative "hybridity".Therefore,based on the Marxist theory of man and the relevant excellent achievements of subject anthropology and art anthropology,this study puts forward the analytical framework of "order and hybridity" of artist style ontology,tries to understand and interpret the basic existence mode of artists and the evolution law of style development,and discusses the occurrence mechanism of artist subject creativity.This paper selects Han Meilin’s case,applies the analytical framework to the artist’s case study,and deeply discusses the practical significance of the "analytical framework" of style ontology in the methodological dimension.With grounded theory as the basic working method and historical research,situational logic,comparative research,inductive research and deductive research as auxiliary working methods,this paper collects,investigates and analyzes the long-term first-hand data of artists,extracts the "amount of creativity" of Han Meilin in aesthetic activities,and constructs the empirical model of "order and hybridity" of his style ontology.The internal logical connection of the model is composed of "three-tier order,eight forces and three hybrids",which can be described as(1)creative needs: nature needs,knowledge needs,development needs and value needs;(2)Creative judgment: moral power,willpower,imagination,anti reflection;(3)The choice of creative Hybridity: Aesthetic hybridity,meaningful hybridity and functional hybridity.Moreover,the final formation of style is closely related to the life development of each artist.Throughout the life development process of most artists,their artistic style is established only after their ideas are mature.Therefore,in the third,fourth and fifth chapters,this paper discusses the three development stages of Han Meilin style ontology model from "hazy dawn" to "embryonic form" and then to "system completion";In the following chapter 6,the "empirical model" of Han Meilin’s style ontology is used to reveal the behavior characteristics of his style ontology and the formation path of style characteristics.At the same time,it also verifies the effectiveness and application value of the analysis framework of "order and hybridity" of artist’s style Ontology.In the last chapter 7,the author sums up the "style development logic" of the artist’s subject-the value system of the subject creativity,and explores the construction of the knowledge system of the artist’s "subject creativity".The research significance of artist style ontology includes two aspects: one is the value of ontology,which attempts to deepen the theoretical level of art style research and supplement the analysis tools that are lack in the research fields of art,anthropology,sociology,psychology,aesthetics,philosophy and so on;The second is the value of methodology,which can reshape the interpretation method of work style for researchers,viewers,artists and other people.