The Study On The Literature Evolution From Qi To The Early Liang Dynasty

The literature of Xiao Qi and Liang Dynasty is inextricably linked.In the early Liang Dynasty,literature was influenced by Xiao Qi’s style,so the literary creation and literary style showed the inheritance of Xiao Qi’s literature.It can be said that the literary circle in the early Liang Dynasty was the evolution and extension of Xiao Qi’s literary circle.For a long time,the academic circle often focuses on the study of Yongming literature and palace literature,ignoring the close relationship between Xiao Qi’s literary circles and Liang Chu’s literary circles,resulting in the lack of special and practical attention to this period of literature.On the basis of mastering the literature related to Xiao Qi and the early Liang Dynasty as much as possible,this paper makes a careful review of the literature,and takes into consideration the political situation,policy system,literary thoughts and the mentality of scholars at that time,and makes a serious consideration of the development and evolution of Xiao Qi’s literature,exploring the dynamic development path of literature in this period and the independent significance of Xiao Qi’s literature.To examine and debate the doubtful questions of Xiao Qi’s writers and works,and establish a systematic and comprehensive cognition of Xiao Qi’s literature to the early Liang Dynasty’s literature.Although the time of the Xiao Qi dynasty was very short,the development of literature always showed a dynamic trend.In the early Qi Dynasty,Wang Jian inherited the creative atmosphere of Liu Song and Yan Yanzhi,and fanned the wind of "official affairs" in the form of literati groups.Ren Fang and Wang Rong,the representatives of the group,were deeply influenced by this trend,and often quoted classics into poems and articles,and wrote many elegant articles.The Jingling literati group inherited the Wang Jian literati group and set off a wave of "new changes".First of all,it inherited the "official affairs" style of Wang Jian’s literati group and changed the "official affairs" from complex to ordinary,and inherited Wang Jian from the literature of the Song Dynasty.Some of the "clean and beautiful" style in poetry and prose evolved into the mainstream style of the literary world.Secondly,the Jingling Literati Group took the trend towards innovation and change as its guiding ideology,with the theory of sound and rhythm as the core of the new change,and pursued a new style of poetry that was elegant and harmonious,which changed the atmosphere of the literary world.Shen Yue took the lead in raising the theoretical banner of new changes,boldly putting forward the poetic theory of "four tones and eight diseases" and the proposition that poetry should follow the "three changes",and actively practicing them in poetry.Xie Tiao rose to the occasion and displayed Shen Yue’s theory of sound and rhythm to the greatest extent in his writing.Not only that,he also innovatively proposed a poetical view of "circulation of beauty and roundness",presenting the harmony of sound and rhythm,the beauty of blending poetic artistic conception,and the perfection of poetic structure in his specific creations.Wang Rong,an important scholar of the Jingling Group,is proficient in vocal rhythm,and his poetry creation exhibits the characteristics of "beautiful and pure poetry,beautiful and fluent".His parallel prose creation also emphasizes the integration of emotions into the pen,with both emotions and emotions.Fan Yun,who is deeply loved by King Xiao Ziliang of Jingling,upholds the poetic ideal of "containing pure and turbid" and "mid ancient and modern".He actively caters to the new trend of thought,creates elegant and elegant new poetry,and draws on the creative techniques of poetry from the previous dynasties of the Wei and Jin dynasties to form a poetic characteristic of coexistence of literature and quality.After Xiao Qi destroyed the state,many literati came to Liang from Qi,and the literary style of The Qi dynasty influenced the literary circle of the early Liang dynasty.The literary circle in the early Liang Dynasty showed two different development trends.One was represented by Xiao Yan and Xiao Tong,who inherited wang Jian’s lineage,worshiping Confucianism and classics,and showing elegant and elegant style of writing.First,represented by He Xun,Wu Jun and Liu Xiaochuo,following the example of Jingling Group,they inherited and developed xiao Qi’s phonetic theory,writing style,poetic system and style.He Xun,Wu Jun and Liu Xiaochuo showed different tendencies in imitating Xiao Qi’s literati:He Xun inherited shen Yue’s quality of "qing and resentment",and there were many bitter and bitter words in his poems;Wu Jun inherited the "Qing dynasty" of Xie Tiao et al.His works often depicted fresh and lovely landscapes.Liu Xiaochuo praised Xie Tiao in particular,so the wind of Xie Tiao’s poem has been mostly picked up by It.From the concept of The literature of Qi and Liang,and comparing it with the literature of Liang Dynasty,we can see that the significance of its independence lies in its literary characteristics different from xiao Liang’s royal literature.Different from Xiao Liang’s literature,"language is gradually mixed" and "sound is gradually mixed into law";Different from xiao Liang’s single and thin literature,the literary presentation of multiple and complex feelings.There are many unsolved or unsolved mysteries in Xiao Qi’s literature.According to the analysis,wang Jian’s poem of Yuzhang from His Elder Brother yuzhang is his cousin Wang Ci.Fan Yun’s Poem "To Zhang Xuzhou Su" was written between July and October of the Year of Yongyuan.On the Other hand,it is He Xun,not Gu Zexin,who is the author of A Poem of Water Bamboo on the Foreign Road;Ren Fang’s concern about Ding Fu should have started in the tenth year of Yongming and ended around April of the first year of Longchang,followed by the concern about Ding’s mother after the end of fu’s concern and ended after July of the first year of Yanxing,before October,and finally after June of the third year of Jianwu.In addition,the paper has carried on the detailed examination and interpretation to liu Hui’s life history and social contacts,to supplement the missing places of the research.