Research On The Creation Of Contemporary Inner Mongolian Dance Dram

In the past,most of the academic circles commented on the creation of Inner Mongolia dance drama or Mongols dance drama based on a certain play,or placed it in the category of minority dance drama and a certain dance drama theme.There is rarely a comprehensive and in-depth analysis of its development,theme selection,theme exploration,narrative strategies,ethnic style,and cultural imagination from a holistic perspective.Since the establishment of the People’s Republic of China,dance drama creation in Inner Mongolia has gone through a journey of 73 years,with 34 dance drama works with different themes emerging(excluding dance poetry and large-scale song and dance parties).Indeed,Inner Mongolia’s dance drama creation has taken the lead in the development of national level minority dance drama creation in terms of numerous quantities,theme selection,creative concepts,aesthetic values,social influence,and the promotion of ethnic culture.However,compared to the brilliant creative practice of Inner Mongolia dance dramas,there is still a weak need to be strengthened in terms of material differentiation,team building,theoretical research,talent cultivation,and continuous refinement of high-quality works.Therefore,this article selects representative dance dramas from Inner Mongolia since the establishment of the People’s Republic of China,with the aim of revealing the practical problems faced by Inner Mongolia dance drama creation in its own development process through the valuable experience and laws of creative practice.It reviews the development overview of Inner Mongolia dance drama creation from a deep perspective,and explores the path of Inner Mongolia dance drama creation from a horizontally extended perspective,And supplemented by active optimization strategies,the shortcomings in the development of Mongolian dance drama creation on campus are analyzed,and the new direction and pursuit of Inner Mongolia dance drama creation and development are imagined.Firstly,by sorting out the overall "diachronic" context of Inner Mongolia dance drama creation,objectively analyze the "successful cases" with considerable artistic value in Inner Mongolia dance drama creation.Secondly,from the perspectives of theme selection,theme exploration,and narrative strategies in the creation of Inner Mongolia dance dramas,summarize the development laws and experiences of Inner Mongolia dance dramas themselves.Only by taking the consciousness of a community with a shared future for mankind as the creative direction,taking themes that are close to the reality of people’s lives as the creative path,respecting tradition and daring to innovate and inherit cultural genes,and taking dance dramas to tell Chinese stories as our own responsibility and responsibility,and facing up to the history of Inner Mongolia’s dance drama creation,can we construct prospects and cultural imagination for the significant development of Inner Mongolia’s dance drama creation.Implementing theory to guide practice,summarizing the research spirit of predecessors from a holistic perspective through literature analysis of Inner Mongolia dance drama creation,deeply studying dance drama creation theory from a systematic and comprehensive perspective,exploring the direction of Inner Mongolia dance drama creation and development,summarizing past Inner Mongolia dance drama creation,providing experience for current Inner Mongolia dance drama creation,and guiding future Inner Mongolia dance drama creation,Building a theoretical and cognitive approach to the creation of Inner Mongolia dance dramas,combining theory with practice,can only achieve a favorable business environment for the creation and development of Chinese ethnic dance dramas,and provide regional experience and wisdom to Inner Mongolia.