Research On Tibetan's Lucky Design And Visual Symbol

In China, due to the geographical Tibetan religious, political, and cultural aspects of special status, become one of the focuses of ethnology studies. Its unique cultural background, the mystery of the rich and distinctive artistic form of art, for Tibetan studies offers plenty of subjects. Among them, the Tibetan auspicious patterns are the most abundant in Tibetan art is the most representative content, but also the Tibetan art research focus. Use a very wide Tibetan auspicious patterns, such as architecture, painting, sculpture, craft, clothing, etc, and the living space can see it.Through consulting a large number of data from the original natural worship, respectively, the Tibetan religious culture, cultural exchange is analyzed from three aspects of visual symbol Tibetan auspicious patterns formed environment, analyses its formation and existence of natural environment and social cultural environment, closely related to many factors, but also the result of joint action. In the paper, based on the research of the visual symbols which contains two aspects, one for the subject stylization standardization, and auspicious implies, another kind is the creator have their individual creation tendency and personality traits.Papers on Tibetan auspicious patterns of vocabulary "level of symbols and semantic generalizes and classification, which is divided into:lucky character class, auspicious auspicious plants and natural DongWuLei, peptides, auspicious Buddhism, and carries on the detailed analysis of the semantic. The Tibetan studies auspicious patterns of forms, primary symbols as the symbol of the formation, the implication of the formation, the table of the formation, the text forms.This paper analyzes the Tibetan auspicious patterns of secondary symbol "form" to summarize its structure strength, for the collective strength and individual power. Based on the analysis of the Tibetan, auspicious patterns "secondary symbol" feature, its artistic character, as emotional characteristics and diachronic characteristics. The Tibetan studies auspicious patterns "secondary symbols, the construction method for structural layout, concludes the change, the performance of the media, the combination between color, add adornment element is different.The Tibetan studies auspicious patterns of practical application, the personality is distinct, summarizes the life, extensive ornamental, significant regional and cultural concept. And then puts forward the Tibetan auspicious patterns in modern design extends the personality, classified as "form", "meaning", "potential", "color" for Tibetan auspicious patterns in modern design application provides a theoretical method. The Tibetan studies auspicious patterns in modern design of the actual application, separately from the national handicraft product design, decoration design and application of modem packaging design were analyzed. Finally made a certain design case, the thesis research proves the method is correct and feasible, and has certain practical significance.To sum up, this thesis will semiotics theory and Tibetan auspicious patterns of combining research methods for Tibetan auspicious patterns, the research provides a visual symbol of new perspective, and obtained a certain result, the auspicious patterns for Tibetan research provides a basis.