Meticulous Painting Of China And Japan Ukiyo-e

As one of the cradles of human civilization in China,its traditional painting has a long history and prominence.It is not only Chinese art and a symbol of national spirit, but also the evolving human and development of painting one of the representatives.Meticulous character of traditional Chinese painting is an important part of traditional painting, it's superb skills and rigorous structure modeling in the world would marvel.The birth and development of thriving in the island of Japan Ukiyo-e is also another form of art has a stunning fine craft, particularly the performance of its decorative loved by the people of the world.Fine and powerful line, flat simple composition, great changing color, and the exaggerated but appropriate shape, which appears similar to all sorts of aspects of the two arts, not just for the geographical location adjacent to China and Japan,even for the results of both states exchanging.Through the meticulous character of traditional Chinese painting and Japanese Ukiyo-e painting techniques of comparison, the main characters from the Ming painter Chen Hongshou fine brushwork and Japanese Ukiyo-e's madter Kitagawa compare, you can see in the field of Japanese culture in a blend of art and development, which is the policy of each era and drawing personal feelings are inseparable. In the Ming Dynasty, it is relative to the Edo period in Japan, is the Ukiyo-e art and prosperity of the period. Through well-developed maritime transport, a large inflow of Japanese paintings of the Ming Dynasty, in order to nurture the art of Ukiyo-e provides the soil. The elements in the painting, through to the composition, a pen, shape, line, color and drawing techniques and other art elements of comparison, let us to see the deep influence that ChenLaolian's painting works affect to the Japanese Ukiyo-e art of painting.Take Kitagawa's work for example, is always reflected the meticulous art of traditional Chinese art features. Both of their words are also with decoration of very distinctive national characteristics.In addition, in the spirit of artists and their paintings painting ideas and techniques and other aspects, Laolian and Kitagawa's works show the fine artistic and manufaturability in the form of artistry and exquisite craft strokes, their paintings are in the spirit of Far-reaching. The same may be experiencing the ups and downs of life, their paintings have not only reflected the pursuit of beauty, but also in phase viewer pour voice, tell their own mood and sentiment.Thus, we can see, painting has no borders, it will not because of geographical differences in isolation from one another, because "Art "is the wealth of mankind. Ukiyo-e Drawing on traditional Chinese painting techniques, while integration of their national character, the formation of a unique Japanese art form of artistic expression, despite the history and culture, but art is the same, and is growing. From Laolian and Kitagawa's works, we see that the traditional Chinese art forms as painting and Ukiyo-e, and the birth of the marketplace popular among ordinary people, their birth and fashion complete end to the dominance of aristocratic art, secular art become the mainstream of society. Shift from the performance of Buddha art depicts human beings. Same time, it also broke through the birth of art for the elite, dominated by the ruling class stereotypes, to the general public.