By Three-country Story Literary And Art Work In Sun Shangxiang Image Evolution

"The Romance of the Three Kingdoms" this by the world person was called it "Four big wonderful books" the novel, has aroused many researcher's interests from the birth, then has caused the thought which as well as the cultural significance attention contains to the three-country stories, certainly, the voluminous character image is also the key point which the researchers study. As three-country stories in an important feminine character Sun Shangxiang although also more or less receives the attention, to its research's method is also many and varied, has the textual criticism to study, content and so on artistic analysis, cultural thought research discussions, but its research is also scattered, inadequate system.The author after having collected the massive material, first has made this kind of attempt, from the Sun Shangxiang this character image's primitive vivid stage, the development phase, the evolution stage and so on three aspects embarks, the overall analysis studies this character image the disposition characteristic which displays in the different development phase, thus inquired into this image manifests cultural significance.The first chapter is the Sun Shangxiang primitive image elaboration. "San Guo Zhi" "The Wu Book" and "The Shu Book" about Sun Shangxiang's related record outlined Sun Shangxiang for us simple and the real life. Although simple, but its family background, the marriage has also confessed. Although Sun Shangxiang's growth course, the disposition characteristic has not made the detailed description in "San Guo Zhi", but she its overbearing domineering disposition characteristic actually had the confession in the book. Looking from the marriage, Sun the Liu two person of marriages does not have any real sentiment to be possible originally saying that their marriage is follows both countries political union the formation to produce, also splits along with both countries political union's fission.The second chapter is the Sun Shangxiang image preliminary development phase: Namely "San Guo Zhi Popular stories" Sun Shangxiang image. "The San Guo Zhi Popular stories" married this matter with Sun Liu to mold one contradictory and the complex Sun shangxiang image. Sun Shangxiang brings to assassinate Liu Bei's determination to marry with Liu Bei, however in the entire marital process; Sun Shangxiang has experienced one contradictory and the complex psychological struggle process.Sun Shangxiang in "the three-country plays" creates the transition take a Yuan zaju as representative from the folk traditional entertainment involving talking and singing to the writer the reforming stage image. In the Yuan zaju's three-country story deck "San Guo Zhi" and the folk traditional entertainment involving talking and singing, gets down opens "the San Guo Zhi Popular Historical novel", was the three-country story dissemination and develops the transition function. The three-country plays write about the Sun Shangxiang image, is mainly the nameless person "Two Military strategists Separates Jiang Douzhi", it molded one at the three-country chaos caused by war, in the cloud of smoke float over society to size up the situation, bravely and grasped own destiny freely, dared in the three countries political struggle's turbulent current to develop, the pursue emancipation of man's individual character, has played "the love song of victory" for oneself Dongwu infanta Sun Shangxiang the image.The third chapter is the Sun Shangxiang image moves toward maturely in "the Romance of the Three Kingdoms". Before Luo Guanzhong absorbs, in the generation of work essence, synthesizes the word, has molded an individuality comprehensively, the rich complex Sun Shangxiang image, causes the Sun Shangxiang image to be more plentiful.The fourth chapter discusses the Sun Shangxiang image in the contemporary film and television art evolution. This chapter author mainly refines film and television work's in Sun Shangxiang, carries on the analysis with in three section's to contemporary film and television art Sun Shangxiang images. The first section, the author "the Romance of the Three Kingdoms" makes the earnest analysis to 94 edition of TV serials.94 editions "the Romance of the Three Kingdoms" has carried on the Luo Guanzhong tradition conservative view of women, what therefore mold was a young beautiful appearance but lacks the opinion Sun Shangxiang the image. The second section, author vision focusing at 08 editions of soap operas "Three countries" on.08 editions "the Three countries" in a commercialization's entertainment time, molded one even more to have the modern significance, even more to draw close to the Sun Shangxiang image which the audience lives now, she had her merit, also had own shortcoming, and also has certain complexity in the process which the good and bad points mixed. The third section is to Director Wu Yusen's movie "Chibi" the Sun Shangxiang image analysis. Wu Yusen has subverted the traditional classical pattern, it bevels the war subject's depth, the serious historical feeling will desalinate, and the method which imitates using the play in the movie has joined the humorous ingredient, builds entertainment's effect. Sun Shangxiang was also precisely after Wu Yusen under the modernism creation way's big background produced, therefore, she compared formerly in any literary and art work Sun Shangxiang to have "the disposition".As did for the first time to the Sun Shangxiang image from the historical personage conducts the linear trace research to the multiple literary images the master's degree paper, the author has built the Sun Shangxiang image research bare bone initially, still disliked shallowly, from now on may also continue thoroughly.