| This article, which takes the visual language of the decorations inside the blue and white dish of Yuan Dynasty as a research object, applying the research methods of philology, image study and structural linguistics, collects, arranges and generalizes quantities of pictures and writing materials about blue and white dish of Yuan Dynasty. The most current materials about the study of ceramics decorations are expounded from social and historical angles. However, this article, from an angle of visual perception, analyzes the visual language of the decorations inside the blue and white dish of Yuan Dynasty and emphasizes the influences of the creator's visual perception and visual acceptance on it. And it starts from the theory of visual language, then extends to the factors of the visual language of the decorations inside the blue and white dish of Yuan Dynasty, whose structural form and internal relation are unfolded through the arrangement and composition of the decorations inside the dish, line construction, space frame and the analysis of force in decorations. And this article points out that it is through the creator's experience of social culture and a certain order of visual language that it is presented. I hope this article can provide a theoretical basis for creating a decorative form of ceramics and conditions for studying visual arts of ceramics from the visual angle. |