Drawing Support From The Image To Express Fully The Thought Forgetting The Image When The Thought Having Been Expressed

The long civilized history of the Chinese nation contributes to a broad and profound Hua xia Culture. And the Chinese Figure Painting grown up on such a rich soil develops to such a delicate and perfect degree. However, with the rapid development of China society, the Chinese Figure Painting is influenced deeply by the social intense turbulence and changes. Many different ideas and art methods appear in the field of the Chinese Figure Painting. Therefore, the problem that how to develop the Chinese Figure Painting and make it keep up with the modem aesthetic standards is put forward before as.Amory all the struggles in the whole modem Chinese Figure Painting field the struggles between the modem and the traditional the national and the we stem are the main problems. For this many fore rumors have done a lot and probed the development of the Chinese Figure Painting effectively. The have tried to transform the disadvantages of the tradition figure image by the we stem sketch modeling method. After the great efforts of several generations, the Chinese Figure Painting has developed to a new degree on both the expressional technique and artistic effect. On such a base, this paper observes the following points in the eye of modem ant. That' s to say, we should draw support from the image to express fully the thought and forget the image when the thought has been expressed; the basic characteristic of traditional figure painting is to figuring the painting in the view of image; life is the origin of making the image. And these four points show the author' s opinions: to research and express the modem figure painting' s form and structure in the way of we stem sketch modeling method; to from the figure in the real life by using the painting tools and inks. At the same time, to cants on the idea of satisfying themeaning without the restraint of the figure-, to transfer the painter' s idea about the world by the modeling of the figure' s image; and to express the painting' s feelings by the figure' s image. Nowadays we raise one more the idea of satisfying the meaning without the restraint of the figure, and it does not mean that we will repeat the old way, but means that we hope the Chinese Figure Painting will develop to a new position on the base of wonderful figure panting.