| In the history of Chinese ancient poetry ,Yuan Ji's poetry anthology"YongHuaiShi" has been praised the most famous wo s in history". Hispoems are really difficult to interpret as critics said: "It is so difficult to perceive his poems" and "the purport of his poems is too deep to define. There fore the interpretations of his beautiful lyric, which is with obscure purport and deep connotation and created in a time of chaos, have become an important research in the history of Chinese literature criticism.This thesis pays much attention to the case of " Wu Da Gu" and tries to systematic analyze the interpretative history of Yuan Ji's poems, basing on : interpretive theory and readers' reception theory. It is found out that traditional interpretations always stress history angle. Critics usually analyzed the poems' purport through their textual and indexical research.. However, some other discussions on "Wu Da Gu" and the "reasonability" of readers' creative interpretation are too general. These modern critics' discussions base on readers' reception theory and interpretive theory of the west. Both of them can not explain such a phenomenon of reception: not all classical works have such great variation in their interpretation as "YongHuaiShi" do and such splendid reading experience could be hardly attained in other classical creation. The extent of readers' possible creation.Hinges on how much blank the poems leave there. Drawing lessons from former studies, this thesis not only pay attention to the readers' history background, cultural context, aesthetic interest, but also stress on text inself and make a concrete analysis of its linguistic techniqued and the employ of images such as metaphor, allusion, negation , nihility etc. telling how immense artistic blank is left for readers' creation .This might give a little of enlightment to eliminat the reception theory's one-sideness of stressing too much on the arbitrariness of readers' interpretation. |
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