Lira Without Cord And Song Of Seins

Poetry and musicality are homogeneous. Each was a part of the primitive universal art, and diversified into two independent forms. However, they are separated but still in connected thought in that it is impossible to cut off their homogeneity, and different arts bear on the breakthrough of their formal barriers and the implementation of their convergent. Under such background an unique poetry musicality comes into being.According to Susanne.k.Langer's theory, art is an image created by non-inferential symbols. Each art form is composed of a main art image and many "secondary images" which are set-through by other art forms. Musicality is a "secondary image" in poetry and an important way to form emotional life images of poetry.Poetry and prose are literary images formed by linguistic signs. They are identical in nature but different in functions, i.e. different methods and effects. Musicality is one of the factors inducing the difference.Poetry and prose are literary images formed by linguistic signs. They are identical in nature but different in functions, i.e. different methods and effects. Musicality is one of the factors inducing the difference.Rhythm and rhyme are two realizations of poetry musicality. Chinese sound-stop rhythm determines the uniqueness of Chinese poetry rhythm. The fact that the prosody depends on the rhyme of Chinese poetry shows great influences on the formation of musicality of Chinese poetry.Musicality is an integral part of poetry. Isolated from the emotional and meaning transference, musicality does not exist.