Loss Of Current Chinese Movies-Disintegration Of Narration

The prosperity and development of Chinese movies is more than the focus of art field. Since the 16th CPC Congress has identified the film as an industry, Chinese movies are becoming a hotspot which the whole society pays increasing attention to. Currently Chinese movies are at the critical era of challenge with opportunity, crisis with hope. In recent one year the State Administration of Radio Film and Television has made great reforms to the domestic films' external environment, which will liberate the film from the excessive restrictions. At the same time, the quality of film composition is becoming the dominant force, which determines films' fortune in the market. The article focuses on the composition of current Chinese movies. On the basis of detailed study on the recent movies, the article reveals the serious issue which occurs in the composition of current Chinese movies -disintegration of narration. Through the academic expatiation and analysis of three kinds of disintegration of narration of current domestic movies, the article points out that if Chinese movie wants to walk out of being astray, it must return the classical track of narration. According to the methodology of discovery of issue, analysis of issue and solution of issue, the article discusses the narrative mistakes of the current Chinese movies in the eye of Holywood's movie esthetics and points out what should to be paid attention to during the domestic movie composition.The article detailed how the three kinds of disintegration of narration - narrative element, narrative structure and narrative content - come into being and corresponding solutions.Disintegration one: the unbalance of narrative elementsIn this chapter, firstly author give the definition of subjective element and objective element and think that movies' narrative elements are grouped as subjective and objective one - space and time is classified as objective element, atmosphere and idea is classified assubjective element while character interweaves subjective and objective elements together. Secondly, author points out that the fact the emphasis on either subjective or objective will lead to the subjective movie or objective movie which audience can't accept. Based on academic analysis and study of current subjective and objective movies, solutions to avoid the subjective and objective films are given.Disintegration two: waste of narration structure costIn movie, the narration is accomplished by the form of structure, e.g. the concrete expression of the narration. That is to say, excellent structure is indispensable for fine narration. On the other hand, the main purpose of film workers is to make fine narration by getting the raw material of the movies properly processed. In this article, firstly, the waste of narration structure cost is defined with some domestic cases. Secondly, explicit central idea and proper arrangement of major role and minor role are pointed out as effective ways to avoid the waste. Finally, this article indicates what is the most economical and effective narration structure cost by the examples of some excellent foreign movies.Disintegration three: Degression of narrative contentAs an art of narration, the charm of the movie will disappear if it doesn't not touch or attract the audience. Three parts, e.g. disintegrity of the story, story's lack of density and lack of surprise, will be discussed in this chapter, to explain the main disadvantages of the narrative contents of the domestic movies.Expectation for the future of domestic movies is also made in this article on the base of the revelation, analysis and solutions on the problems of narrative elements, structure and contents, which exist widely in current domestic movies.