On The China's Comedy Films Of Early 1960s

Carrying on the artistic gist of eulogylike china's comedy films oflate 1950s and expanding its main concept and style to a new level, the comedyfilms of early 1960s in china plays a critical role in the creation and innovation ofthe films of realistic themes. Instead of the false realism, unreasonable optimism,idealistic whitewash of real life contained generally in the eulogylike comedy film,the china's comedy films of early 1960s absorbs the realistic spirit where thesatirical comedy braves the life and pays close attention to social reality, therebyadopting satire and eulogy as the two kinds of technique of expression formultipurpose use. When tentatively applying the satire and the eulogy to express,it turns to the attitude and maneuver of the golden mean and mildness for helpand develop a creative way of "compromise" then. It is this adherence to thatway that brings the opportunities and genuine fresh breathe into the china'scomedy film of early 1960s. On the basis of a review of its generating languagecontext and main characters, the author intends to describe and analyze theartistic style and comedy characters of the china's comedy films of early 1960s aswhat it really was and to explore its objective value in this paper from suchaspects as character, plot and comedy artistry. There are three chapters in this paper. In the first chapter the historicalconditions and social reality of the china's comedy films of early 1960s is maintopic under discuss to demonstrate a real history about it and its necessity tocome into being through the precise and comprehensive analysis of the possibleeffects and influences given by the all kinds of factors. The second chapter is written to highlight the middle course of the"compromise" followed by the china's comedy film of early 1960s. Through thedetailed description about the middle course and its characters authordifferentiates and analyzes relations among the comedy films, satirical comedyfilms and eulogylike comedy films in early 1960s in china and probes into howthe china's comedy films of early 1960 when it was in big trouble tries to ask helpfrom and to seek a way to return to tradition. The third chapter displays the comedy quality of china's comedy films ofearly 1960. Through the analysis and discussion concerning such the comedyartistries as the characters in comedy, the plot and structure in comedy and thescene in comedy, the aesthetic features and the characteristics of the appreciationof the beautiful of the china's comedy films of early 1960 are provided. In short, looking closely and judging precisely from the sight of the comedyfilm aesthetics, in this paper the author intends to think and analyze suchquestions as its creative principles and concepts it follows, its survival anddevelopment, its intension and form, thus grasping the historic value andmodern significance of the china's comedy films of early 1960 as objectively aspossible and as accurately as possible.