The Modern Rheology And Illumination Of The Motif "Farewell To My Concubine"

" Farewell to My Concubine " and relevant plots form an extremely striking motifin Chinese literature history. It has extraordinary culture meaning in the classicalliterature. At first, it belongs to typical " hero and beauty " mode among classicalliterature; Secondly, The tragic plot structure is different from literature decorum withsatisfactory final result; finally, the mutual activation and prolongation of " death " and" love " is the deep reason that makes this motif keeping permanent artistic charm. The text is divided into three parts. The first part describes the background in theclassical literature of the motif " Farewell to My Concubine " mainly. Si Maqian'swriting tactics of " distortion of the facts " make the most early and most authoritativehistory i.e. " Historical Records · The biography of Xiang Yu" becoming a kind offictitious " mirage "; After Si Maqian's " Historical Records ", image that the relevantplots of involving this motif are mostly incoherent Xiang Yu falling scattered in a largenumber of historical ancient books and records. No matter is it fictive incident itself ofthe motif to have, or the incoherent and individual personage image, the potentialpossibility rewritten exists. The second part is the focal point of the thesis, Using relevant theories of narrationto launch the analysis and illumination to the modern theology course of " Farewell toMy Concubine " motif mainly. Guo Moruo's novel " Xiang Yu commit suicide "fabricates two personage image, the officer defending Dark river and Zhong Limei,denying God's will view on " God conquered despot " against the " Historical Records "and reflecting the combination of political words and era linguistic context. GuoMoruo's rewriting made the motif obtain a logic starting point that can grow further.Zhang Ailing's inchoate novel "Farewell to My Concubine" reflects her early-maturingfeminism and reviews the dualism of the consciousness awaken via the concubine'sview. The adaptation of Zhang Ailing offers a brand-new sex visual angle for thegrowing of the motif's implication. The Screenplay " the west overlord " written by BaiHua and the pioneer novel " double pupils- the overlord chats by oneself "written byPan Jun query and review to the traditional historical consciousness throughreorientating image Xiang Yu and " filling blank of the text ". Their adaptationdevelopment the modern meaning and offer a strong thought source skillfully of themotif. Mo Yan's drama " Farewell to My Concubine " has trampled the personality anddignity of woman in order to pursue the great amount of commercial profit, and thismakes adaptation of his " Farewell to My Concubine " become a failure that imaginedbreaking out of the " Gai-xia " encirclement. The third part is the summary and the promotion of the thesis. Modern rheologyand illumination of " Farewell to My Concubine " motif have reflected certain modernideas, for instance humanization, democracy, equality, science, logos, etc., but there arealso including laggard, vulgar even moribund thinking. It is worth thinking deeply aboutthe spiritual value of the " Farewell to My Concubine " motif. The sprout of the motif'sspiritual value is related closely with the archetype factor of the theme "death and love",and it is exactly the interweaving and infiltrating of "death" and "love" that make" Farewell to My Concubine " and relevant plots become a motif that keeps permanentartistic charm.