About The Historical Facts And The Evaluation On Sangeshe's Musical Activities

The thesis studies the course of musical activities of Shangeshe in the State Concervatory of music during the Chinese War of Liberation. Based on forming the framework for the monographic study of Shangeshe, the essay makes the thorough inquiry for its historical background, the unique contribution and the profound influence by searching for a large number of historical data, interviewing some participants and analysing the reference materials.This paper can be devided into four parts. The first part is the first chapter, the introduction, studies the historical background of Shangeshe's activities. It provides the development clues of folk song's study since the May 4th Movement of 1919 and the cultural and acadmic setting of Shangeshe's practices.Aimed to introduce Shangeshe's historical facts, the second part is the second chapter, the study of Shangeshe's historical facts, In the second chapter, the study of historical facts is unfolded according to its chronological sequence, such as the Qingmuguan period, the Zunyi peroid and the Nanjing peroid.Constituted of the third chapter, Shangeshe's musical education activitiese, and the fourth chapter, Shangeshe's musical performances and the musical theory activities and the fifth chapter, Shangeshe's musical composition and the harmony theory of Chinese, the study is developed by its special subjects and wants to comments on Shangeshe's musical exercises.The fourth part is the last chapter, the conclusion . In order to point out the practical significance of Shangeshe's musical activities, the sixth chapter draws a conclusion on its musical concrete practice.