| Dramatists of the period of Shunzhi and Kangxi followed the tradition of writing with anger in the reality of drama, and realized the composing view of drama is equal to the poem" of middle Ming dynasty. It weakened the narration ability and strengthened the expressing ability correspondingly, to express the sensibility that could not tell others directly, and made the course of "from secular to elegant" to a new height. This thesis is established on the special area of the period of Shunzhi and Kangxi, trying hard to describe the basic visage of drama composition by analyzing and reading some quality texts. And it compares to the dramas of middle and late Ming dynasty and middle Qing dynasty, and novels, poems, articles of the same time, which is used to review the intrinsic character of the drama composition of this period.All articles are divided into three chapters:Chapter one: Authors' spirit point of dramas, together with the special area of Shunzhi and Kangxi period, are used to describe the mental pressure of intelligentsias of early Qing dynasty in the context of nation-transformation, and make deep thoughts of ethical character of these traditional officials.Chapter two: It contacts the authors' living experiences with their emotion expression, discussing their achieve expectations in the individual lay, mostly including career, inner bosom friend and marriage.Chapter three: It focuses on the special style of the dramas composition of Shunzhi and Kangxi period, doing comparative studies of the dramas of middle and late Ming dynasty and middle Qing dynasty in terms of taking a period of time, and novels, poems, articles of the same time. |