Aesthetic Tension Of Fluid Camera In Digital Animation

With coming of digital media times and the development of CG technologies, the digital animations can break the localization of general cinema movement and realize unimaginable movement by set up the dummy camera. It shapes a whole new world which general cinema unable to shape with its special audiovisual language. It enrich movie audiovisual language farther based on the inhere assumption of animation and strengthen aesthetic tension. The aesthetic tension of digital fluid camera has three new traits: the reforger of space time, the breakout of taste habit and the challenge to whisht art. This thesis try to analyse the audiovisual language of some excellent digital animations, such as digital camera of film, fluid camera, long camera and montage, facticity and dummy, etc. to lucubrate the aesthetic tension of fluid camera in digital animation.