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On The Mode Of Thinking In Sushi's Literary Criticism

Posted on:2008-07-25Degree:MasterType:Thesis
Country:ChinaCandidate:X J BoFull Text:PDF
GTID:2155360215487344Subject:Literature and art
Abstract/Summary:PDF Full Text Request
As important writer of Song Dynasty, Su Shi not only gained a greatdeal of achievement in the artistic creation, but also made importantcontribution in the literary criticism aspect. His literary criticism,covering many art categories, such as poetry, prose, calligraphy, anddrawing, was copious, diversity and profound. He paid close attention toself- characteristic of art, and regarded it as a main line through hiscriticism practice.From the use of thinking mode in literature criticism, this articlediscussed on the inherent artistic rules of Su Shi's literary criticism.Expanding from following aspects: First, It is summarize the maincharacteristic of Su Shi's literary criticism. It considered that Su Shi'sliterary criticism, one was on behalf of literary criticism in Song Dynasty,has the consciousness of artistic main body. Second, it analyzes therelation of intuitive thinking and Su Shi's literary criticism. Su shilooked on "lingering charm" as the valuation standard of beautifulartwork and seek the thinking way to come to realize. Third, it analyzesthe utilization of harmonious thinking in Su Shi's literary criticism. SuShi melted and positioned artistic categories by harmonious thinking,avoiding attending to one thing and losing another. Su Shi was the mostimportant role who used the "exhausted"-"regeneration" and thedissolution characteristic and affected widely in his time. Usingmulti-thought to explore the rules of art, Sushi took much count of art.Only under the rich and free condition, the beauty of art could exert atlarge.
Keywords/Search Tags:Intuitive thinking, harmonious, insipidity, lingering charm
PDF Full Text Request
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