Ideal Condition Theory Of Chinese Landscape Painting

The ideal condition took in the Chinese tradition esthetics research an extremely important category, constitutes the artistic beauty essential factor, also is in the Chinese tradition drawing highest esthetic principle, also is each scenery painter the ultimate objective which pursues in the creation process, is the appraisal, the connoisseurship landscape painting work esthetic value and the characteristic primary coverage.Mood of the emergence and development itself is extremely rich and profound aesthetic ideology, rich in content, Mood of landscape artists in the creative process through the use of techniques of ink reflected in the state, reflect the inherent painted main human nature and training, knowledge, skills, and other aspects of quality, in a sense, It is a very complicated, very broad rules of aesthetics is a very worthy of in-depth studies.This paper focus on the formation of mood, content, aesthetic value, the composition of mood, the mood to create, Habitat moods and poetry and painting, and mood and personality, self, such knowledge to explore the relationship between China lyrical painting of the mainstream development of the law to guide practice. The article is divided into three sections :The first chapter discusses the theory of conception and embryonic derivatives, the mood on the development of mature, on the mood of deepening and improvement.The second chapter discusses the mood of the composition and content.The third chapter discusses the conception and creation and the creation of the mood of a number of factors.