Dancer Who Disgraced

Follows the modern feminist movement in the world surging up ward, since 19th century's ends 20th century in the modern significance feminine literature in feminine self-status consciousness awakening, has floated on the historical surface in the historical heavy pressure, the feminine literature takes the female as the main body of esthetic creation, the brother's daughter standard embarks, which is displaying the explicit feminine consciousness and the feminine theme, while it promulgates feminine in dividedly and community destiny, narrating their process which drifts from the human body to the drifting spirit of more deeper depth.The full thesis altogether divides three parts, and takes comparison between western feminine literature of the English world and the Chinese feminine literature as the turning point, take the Chinese and western female creation which influence by the two rights as an example, separately elaborated from the end of 19th century to the beginning of 20th century, and the middle of 20th century, about the Chinese and western female creation during these two historical stages, and then inquired into the sane different factors. The first and second parts through the self-status consciousness awakening of the Chinese and western feminine literature and the self-status construct the drifting them in the two historical stages, which displayed from and content in respective feminine writing, in order to inquire the similarities and differences about the Chinese and western feminine literature to the drifting theme in the different historical stages. In the third part, mainly inquired the similarities and differences about social factors and cultural factors under the influence of the Chinese and western feminine literatures self-status writing and the drifting theme.In the different historical periods, which the Chinese and western female writers display the original appearance of self-survival to common people by their different writing styles, and they are also redeeming them selves by their own ways and are parsing the self-existing space .