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Buddhism And Calligraphy Relational Research

Posted on:2008-10-23Degree:MasterType:Thesis
Country:ChinaCandidate:Y LiFull Text:PDF
GTID:2155360218951565Subject:Fine Arts
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China's Buddhism thought has the pivotal status in the Chinese culture formation, specially in China's artistic domain, is occupying cannot estimate the component, the Chinese unique art - calligraphy, naturally also comes under his influence. Buddhism is a religion, his thought is a philosophy, he eagerly anticipates the calligraphy amateur to change the former ponder way to attempt, innovates. In the historical perpetual flow the calligraphy and Buddhism's mutual seepage, mutually affects, their each other mutually affect crystallization in where? What do they remain for ours wealth are? How should we know these cultural the essence?The writing source is pictographic, the calligraphy is draws support from the Chinese character for the carrier performance personality, expresses the emotion art, may call it is expresses the art, when expresses the mind mood, the different mood can have the different writing trace, when Buddhism thought is in vogue in China, the calligraphy mind world has increased the new vigor. I select the method which records narrates and contrasts, in the written form, in the overall imposing manner, in the book study theoretically and so on which the aspect elaborated the Buddhist studies influence calligraphy is had to change, under two mutual functions, the Buddhist studies classical religious texts record, was a Chinese writing development historical novel history, for the Chinese philology research concrete demonstration function, simultaneously the Buddhist studies classical religious texts also was because of the calligraphy work existence, becomes imprint which the world was in sole possession of, has made the tremendous contribution for the research Buddhist studies.《Buddhism and the calligraphy relational research》an articleal together divides into two chapters: The first chapter elaboration disseminates Buddhism's religious texts calligraphy. Specifically discussed the Buddhist scriptures calligraphy , the religious texts stele carving, the cliff carving calligraphy, the writer religious texts calligraphy respective writing gartistic style characteristic. In this chapter, I study regard in together calligraphy researchers do not have the system, the omni-directional appraisal each kind of religious texts calligraphy style art characteristic, has carried on the analysis summary. Second chapter elaboration Buddhist studies, Buddhist ceremony calligraphy to calligraphy influence, concrete discussion in calligraphy creation aspect influence, in calligraphy theory aspect influence. The calligrapher frequently to the imperial sacrifices explains the calligraphy , the Buddhism zen "becomes aware" the thought knew the way, the conscience said, the emotion said, nature real interest view and so on the influence. In this chapter, I study uniquely lie in, has carried on the Buddhist studies in zen thought to the calligraphy art creation concrete influence several steps of analyses summaries, is opposite studies to other people about the zen thought and the calligraphy creation function relations more detailed, is clear. Finally stressed, because the Buddhist ceremony participation caused the calligraphy world to increase together the beautiful corona, because the Buddhist ceremony recording enabled Chinese the writing" the historical novel" to have a better testimony, because the calligraphy function caused the Buddhist literature to be able to disseminate, can carry forward, can to spread to the world, the calligraphy for Buddhism, the Buddhist studies has made the in delible contribution is obvious.
Keywords/Search Tags:the Buddhist scriptures calligraphy, the tablet calligraphy, the cliff carving calligraphy, the writer calligraphy, the zen, the calligraphy creation
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